By this time of publication of this novel, Agatha Christie had developed a huge reputation, and a large number of fans. However, when this novel was published, Agatha Christie had gone through a major upheaval in her life, with her husband declaring that he wanted to divorce her (in late 1926) after stating that he was in love with somebody else, and in December, Agatha Christie had vanished for a period of 11 days after a fight with her husband, with a massive manhunt (and till now, there is no credible story of what happened in those 11 days).
‘The Big Four’ stars the famous detective Hercule Poirot, Arthur Hastings, and Inspector Japp, the familiar figures from the Hercule Poirot series. This book is not one single long book involving a crime, but instead a series of short crimes, all of them involving the Big Four villains (and these are in turn linked to a series of short stories that appeared in a magazine called ‘Sketch’). The novel however depicts characters that are very cliched, such as the Chinese villain characterised as a Fu-Manchu type of villain, a French charming and dangerous girl, and an American multi-millionaire.

The novel starts with Hastings going to meet Hercule Poirot, who is going to America after an invitation from millionaire Abe Ryland, who is a soap king. At this time, Poirot asks whether Hastings has ever heard of a group called ‘The Big Four’, but Hastings has no idea. Then a man comes in and starts describing the various members of the The Big Four:
- Number 1 – A Chinese mastermind called Li Chang Yen, the person behind The Big Four
- Number 2 – No Names, but represented by the sign $, so most likely an American
- Number 3 – A charming French lady
- Number 4 – Just the destroyer
Poirot and Hastings faked their departure, but when they come back to the house, they find the man to be dead; the man was identified by Inspector Japp as a member of the Secret Service. And then they get into more adventures, fighting with The Big Four, including more murders.

Writing gripping short stories is not easy. You do not have the time or the space in order to develop your characters or the story, and yet you are expected to write a story in which the characters are fleshed out to some degree, in which the story has developed enough that the reader does not feel cheated; the best short story is the one in which there is also a twist such that you get a sense of satisfaction after reading the story. There are not too many writers who are able to write effective short stories, and yet Frederick Forsyth has written multiple such compilations. No Comebacks is an interesting collection of 10 such short stories; most of these have twists, there are surprises in these stories, and the settings are also different for many of them. When you read the term, ‘No Comebacks’, it literally means that once you take an action, there is no way to get back to where you were.

The short stories that make up a part of this collection are:
“No Comebacks”
“There are no Snakes in Ireland”
“The Emperor”
“There are Some Days…”
“Money with Menaces”
“Used in Evidence”
“Privilege”
“Duty”
“A Careful Man”
“Sharp Practice”
The stories are very different, such as the opening one, which is the story of a rich successful businessman who can have everything he wants; however he falls for a married woman who refuses to leave her husband. The rich man sends a hitman, and then you get the twist in the story. Similarly, other stories also have their own twists.

Isaac Asimov was one of the pioneers of the field of writing about robotics, and was most famous for his creation of the Three Laws of Robotics:
1. A robot may not injure a human being or, through inaction, allow a human being to come to harm.
2. A robot must obey orders given to it by human beings, except where such orders would conflict with the First Law.
3. A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.
These seem simple enough, but as with laws for humans, there can be many interpretations and conflicts that can arise out of using these laws. ‘The Rest of the Robots’ is a set of 8 short stories that all deal with robots, and many of them also have references to these laws as well as situations arising out of problems with the use of these laws. I found the collection to be very readable and interesting, and considering that most of these stories are more than 50 years old, not dated in any way. We have not had the development of humanoid robotics to the extent that Asimov had written about, so many of these are stories that we will still need to worry about.

The collection was released in 1964, and hence you can consider the book to be a very old book indeed, and yet when I was browsing through some Asimov books on an online bookshop, I found it easily available, which means there is a regular demand for it. The book starts out with a foreword by Asimov in which he explains about how books used to be about robots, they were seen as being part of the Frankenstein complex, where man created robots, and robots would destroy man, and this happened again and again. Asimov chose to move away from this concept, and wrote stories with far more complexity and depth.
The book has 8 short stories:
1. Robot AL-76 goes astray: A story in which a robot bound for the moon somehow manages to get loose on earth, and has to try and figure out its surroundings, especially when it has been fed only information about the moon. It creates a great new machine, but then destroys it when ordered to in mistake. A comedy.
2. Victory international: About projecting the power of robots, especially those constructed with a great deal of care to make extra-strong so that they can impress the ferocious inhabitants of Jupiter.
3. First law: About an exception when the power of the First Law cannot suppress the maternal instincts of a robot, and the robot is willing to let a human die.
4. Let’s get together: A political story about robots being used as terrorists. Showcases one of the biggest fears of humanoid terrorists.
5. Satisfaction guaranteed: One of the most complex stories of this volume. Deals with human emotions such as jealousy, envy and a feeling of low confidence, and how this interfaces with the First law.
6. Risk: About how the human mind can still be a much better instrument to deal with uncertainty and complexity rather than even the most complex positronic brain.
7. Lenny: About the maternal instinct in even the most seemingly hard-boiled scientist can come about when dealing with an under-developed robot.
8. Galley slave: A story which deals with the fear in a human about the advent of robotics and how this could totally destroy human creativity in a slow and gradual way.
The last 4 stories also had the character of Dr. Susan Calvin, whom Asimov used as a representative of the robopshycologist, the head in that area for US Robotics, and a pioneer in the development of robots.

After reading her two earlier (commercially) published works, Interpreter Of Maladies and The Namesake, I was eagerly waiting for Jhumpa Lahiri’s next one – Unaccustomed Earth. And once again, I was spell bound by her literature. Unaccustomed Earth is truly wonderfully written and keeps the short story writing to the top. She is a master (short) story teller and this latest collection of short stories is another example of it. The best part about her short stories is that her characters are well defined and complex, her handling of the words is marvelous, her stories are never incomplete and they feel like a full novel.

The short stories in this work are:-
Unaccustomed Earth
Hell-Heaven
A Choice of Accommodations
Only Goodness
Nobody’s Business
Hema and Kaushik:
Once in a Lifetime
Year’s End
Going Ashore

First five stories are individual in themselves while the last three are interconnected. In the title story, a young mother Ruma, is visited by her father, who forms a bond with his grandson. All the while, Ruma is unable to make a decision to ask him to stay with them or not and his father, on the other hand, is harboring a secret love affair. In “Hell-Heaven”, a young girl narrates the story of her mother falling secretly in love, outside of her marriage, all the while not accepting it but feeling emotions of a jealous lover when her love marries another girl. In “A Choice of Accommodations”, a husband’s attempt to turn an old friend’s wedding into a romantic getaway weekend with his wife takes a dark, revealing turn as the party lasts deep into the night. In “Only Goodness”, a sister tries too hard to get her brother all the support to come out of alcoholism and in the end it threatens her own family. In “Nobody’s Business”, a young girl makes a wrong choice in love while her family is looking out eligible suitors for her and her roommate hesitantly tries to save her, nearly getting himself dammed in the whole process. And Hema and Kaushik, a trio of linked stories — is about the lives of a girl and boy who, one winter, share a house in Massachusetts. They travel from their foolish childhood to adulthood on separate painful paths, until destiny brings them together again years later.

I would say that I started this book with a prejudice and finished with it as well. But it never came in my way of reading this book from another point of view. It was just that I could not find faults in her writing – for me a fault is a boring phase through the book, a predictable story line or a complete lack of words and emotions. She kept me involved in the book all the while and never once I felt like what-am-I-reading. And for me that is a big thing while reading something. She has surely kept her high short story writing status well and truly intact throughout this book. Some people would say that she writes about confused Indian immigrants again and again and re-using her character set but then there is no deny from the fact that she is doing it wonderfully well.