Why the title of ‘A successful failure’ ? Well, because the third manned mission to the moon, part of the Project Apollo was a failure to make it to its target, but managed to be successful in a return journey back to Earth. There had been 2 successful moon landings so far, a major success for the US in its space program. The 3rd such mission did not have the same amount of public involvement, and yet turned out to be an extremely riveting adventure, because of the drama involved. An explosion in space, power failure, less air, and the consequent on-the-spot-engineering to make things work out and get the 3 astronauts back to Earth made for an excellent story waiting to be told. The incredible thing was that it took so long to be made into a movie, released at a time when the current generation would not know or remember about this incident.

The whole incident was turned into a 1995 movie starring Tom Hanks, Kevin Bacon, Bill Paxton, Gary Sinise and Ed Harris; the movie was in turn based on a book called ‘Lost Moon’ by Jim Lovell (the actual commander of the 1970 Apollo 13 mission; the other members of the mission were Command Module pilot John L. “Jack” Swigert, and Lunar Module pilot Fred W. Haise) and Jeffrey Kluger. The movie was praised by critics for a good dramatization of an epic episode during the space race while being accurate to the actual events and the scientific facts. Some of the scenes involving weightlessness were filmed abroad the NASA flight that is actually used to mimic microgravity for a brief periods of time, the KC-135 aircraft called the ‘Vomit Comet’.
The movie starts out with details of the build-up to the Apollo program, covers the first landing on the moon, and then moves onto the actual planning of the crew for the Apollo 13 mission, including the fact that the crew was not originally planned for this mission. The movie then covers the lift-off into space with a slight problem, and soon moves into the actual disaster, with the explosion, leaking of the oxygen tanks, cancellation of the lunar landing mission, and then the entire drama of the magnificent engineering feats involved in working out how to get the crew back from deep space (where there is no possibility of a rescue mission).
The movie was nominated for 9 Academy Awards and won 2 awards (but none of the acting and other high profile awards):
* Won - Best Film Editing — Mike Hill, Daniel Hanley
* Won - Best Sound Mixing — Rick Dior, Steve Pederson, Scott Millan, David MacMilan
* Nominated - Best Performance by an Actor in a Supporting Role — Ed Harris
* Nominated - Best Performance by an Actress in a Supporting Role — Kathleen Quinlan
* Nominated - Best Achievement in Art Direction — Michael Corenblith, Merideth Boswell
* Nominated - Best Original Score — James Horner
* Nominated - Best Picture — Brian Grazer
* Nominated - Best Visual Effects — Robert Legato, Michael Kanfer, Leslie Ekker, Matt Sweeney
* Nominated - Best Adapted Screenplay — William Broyles Jr., Al Reinert

Arthur C Clarke was a visionary story teller and science fiction writer. He will forever be remembered for his visionary writings, such as the conceptualization of the geo-stationary communications satellite; and for his great works of fiction such as the ‘Space Odyssey 2001′ (made into a excellent movie). In Space Odyssey 2010, he continues his work, moving ahead the story of the monolith around Jupiter (in a slight adjustment, while 2001 the book was about Saturn, while 2001 the movie was about Jupiter, and hence 2010 the book refers to Jupiter - so readers should not get confused that the first book talks about Saturn while the second book talks about Jupiter).
2001 was in the decade when the quest for the moon was at its peak, and the book was right before the Moon landings were planned, so there was a great more public enthusiasm for the book (more suspense). This book (Odyssey 2) was released in 1982, so it was not directly linked to anything happening in real life, and the space program was ongoing, but that initial romanticism was missing.

This book was set in a period 9 years after the events of 2001, and a joint Soviet-American expedition on Soviet spaceship Alexei Leonov is planned to visit the abandoned Discovery spacecraft so that they can find out what really happened (after all, David Bowman vanished from the viewpoint of Earth (he turned into a starchild)), as well as to determine what happened with regard to the monolith. However, there is a surprise since a spacecraft leaps out of Earth orbit, and is revealed to be a Chinese inter-planetary spacecraft called Tsien, setting a course for Jupiter and expected to reach before the Leonov.
The Tsien lands on Europa to collect water for its propulsion, but runs into an accident when native life forms overwhelm the ship (attracted by the light from the ship) and given the loss of the ship, the crew are destined to die there (the final survivor radioing this information to the arriving Leonov). The Loenov eventually reaches the Discovery and Dr. Chandra manages to reactivate HAL. At the same time, we learn that the ethereal form of David Bowman visits his mother and girlfriend on Earth; he also does investigation of the life forms on Europa and in the cloud region of Jupiter. In the balance between these 2, the life forms on Europa are deemed to have a far greater potential for growth and evolution.
Bowman then appears before Floyd and warns that they must leave Jupiter within 15 days. Naturally, the crew hesitate to believe Floyd until they see the monoliths growing all over Jupiter, at which point an emergency mission is setup, using the Discovery as a booster for increasing speed. And in a scene designed to remind humans about the awesome capabilities of the intelligence behind the monoliths, the monoliths actually increase the density of Jupiter until the planet becomes a star (having achieved nuclear fusion). And there is a final warning that Bowman delivers via HAL, “ALL THESE WORLDS ARE YOURS EXCEPT EUROPA. ATTEMPT NO LANDINGS THERE.” HAL in turn is absorbed in the monolith just like David Bowman was.

In today’s world, we take underground tunnels, trains, space travel, satellites, etc, as standard everyday things. However, there was a time when there was no concept of having long tunnels under the seabed, or massive bridges many kilometers long; and travel to space was difficult to visualize (astronomy existed, but to visualize precise details was difficult). It is to the credit of the science fiction writers of that time that they were able to visualize underwater, underground, and space travel adventures. One of the most famous science fiction writers of that time was Jules Verne, who wrote about locations and adventures that were unheard of in the 19th century, and many of which bear a good resemblance to what came into reality many many decades later. One of Jules Verne’s novels that makes interesting reading is the tale of a journey underground - A Journey to the Center of the Earth.

However, this novel should be looked upon as fiction. In this particular case, the novel is not very accurate. However, it is still a good work of fiction, and should be read for that reason alone.
The story is that of an eccentric professor, who is attempting to follow in the footsteps of an Icelandic adventurer who had made an epic journey to the center of the earth a long time back, and of which there are not many records. The professor gets his nephew to follow him (well, actually the nephew volunteers for this expedition), and along with a strong, silent, guide, they head off this to this incredible journey.
The professor finds a coded text in a book written by Snorri Sturluson, and is desperate to decode the parchment, going without food if necessary. It is the nephew, Axel who managed to decode the code, finding that it was just written backwards. He is concerned about what his uncle will do if he finds that the text has been decoded, but after 2 more days without food, gives up and tells his uncle about the decoding. The code is very simple: “Descend, bold traveler, into the crater of the jokul of Sneffels, which the shadow of Scartaris touches before the calendas of July, and you will attain the centre of the earth; I have done this, Arne Saknussemm” (the translation in English).
Inspite of the protestations of his nephew, the professor is eager to take this trip, and after arriving in Reykjavík, they hire an Icelandic hunter, Hans Bjelke, as their guide. After some delay due to clouds, they are able to find the starting point, and start a descent into a crater. And then start their adventures, with very sharp descents, almost running out of water once, another time when Axel separates from the others and is only able to find the others due to a strange acoustic phenomenon. They find strange creatures, and a massive underwater cavern with a huge water body; the water body contains many prehistoric creatures.
At a point however, they find that the path is blocked; they decide to blast their way through; however, the resultant upheaval pulls them through the blasted path at a high speed, and soon they find themselves in a close proximity to hot water and magma. Just when they are sure that they will soon boil, they find themselves rising fast, and soon get ejected from a volcano (in Stromboli, in Italy - very far away from their descent point in Iceland). They are all termed as heroes when their journey comes to public knowledge.

The Metropolis was a movie that was seemingly way ahead of its time. It’s a movie about the conflict between the rulers (the technologically advanced class) and the the workers who toiled to provide for it all (and who were seen as the subjugated sections of the population). Metropolis depicted this scenario, set in the year 2026, with hugely futuristic settings. The movie was not something that is easily viewable in its original creation - it was deemed too long (at 210 minutes), ruthlessly chopped and modified for multiple reasons (whether to it into the 90 minutes allowed by theatre owners, or because parts of the subject were deemed too controversial in the United States, or because the sound era started soon after and the movie was adjusted in terms of frames per second to fit into the sound compatible format). In addition, parts of the original movie were found in Argentina, and parts of the original movie were never recovered.

The movie was made in Germany, as probably one of the earliest great science fiction movies, made by Austrian-German director Fritz Lang and one of the most expensive movies of that era, costing around 7 million Reichsmarks at that time (approx $200 million as of now). The movie was written by Lang and his wife Thea von Harbou (in a twist, the movie was praised by the Nazis, and Thea soon became an ardent Nazis; she and Lang finally divorced in 1934).
The society of 2026 was divided into 2 rigid groups with the planners living in luxury, and the workers toiling underground in pretty bad conditions. The skyline has plenty of Gothic style skyscrapers (probably inspiring the Tyrell towers in the classy Bladerunner made much later). The city is run by Johann ‘Joh’ Fredersen (Alfred Abel), who looks for ways to ensure that the workers remain in their conditions. However, there is a charismatic and beautiful lady, Maria (Brigitte Helm), who advises the workers against trying for a revolt, and instead wait for the arrival of a figure known as the ‘Mediator’. It is the Mediator who will bring together these 2 separate sections of society and improve the conditions of the workers. She has an admirer, Frederson’s own son, Freder (Gustav Fröhlich), who is disgusted at the conditions in which the workers toil and live, and joins Maria’s cause.
And then starts the true future. The scientist and old rival of Fredersen, Rotwang (Rudolf Klein-Rogge), builds a robot in the shape of Maria. He uses this robot to first preach discord in the young rich men of Metropolis and then descends to the underground sections where the robot inspires rebellion in the workers. In this rebellion, they destroy the important ‘Heart Machine’ and then realize that the destruction in turn causes the flooding of their own quarters. They chase Maria, and burn her, and then realize that she is a robot. The real Maria is chased by Rotwang, and followed by Freder, and in the climatic end, Rotwang falls to his death; and Freder carries out his destiny of being the Mediator by uniting Frederson with the workers.

If there are 2 things that Arthur C Clarke will be most famous for, my guess would be for his visionary work, including the concept of a geo-stationary satellite (most famously used to position communications satellites) and for his creation of the best seller 2001: A space Odyssey and its sequels (2010, 2061, and 3001). These were created for and along with an incredible movie of the same name by Stanley Kubrick. Together, this book, and the novel both captured the fascination with space (and its dangers), along with a fear of what an advanced computer (H.A.L) can do (somewhat similar to the fear of sharks that got positively entrenched with the movie Jaws).
Both the book and the screenplay for the movie went hand in hand, and were based on the short story ‘The Sentinel’ written by Arthur C Clarke in 1950. The novel was an important milestone in the history of science fiction, combining elements of man’s historical development, delves into development of space travel and the problems of differential gravity, aliens and the thought that there is a master race that kick-started human development, and then how mankind may not have worked out all the issues related to intelligent computers.

The book starts from an age long long ago (3 million years ago) when there were humanoid races in Africa. They managed to survive, only just, getting fruits and the like, and not knowing how to hunt. They had short life spans, and did not have either the feelings of attachment to each other, and would not have been able to do much either. They were at the mercy of wild beasts, with no instruments with which to defend themselves. And then arrives a rectangular black monolith that starts to delve into their minds, developing their minds. They learn how to develop tools from the natural materials at hand such as rocks and the sharp teeth of wild animals. And then they develop the thought of being able to even fight back against the wild animals that threaten them; and most important, get meat from the wild beasts roaming around them. Humanity gets kick-started, getting into a period of development that leads to us.
Cut to the present age. Humanity has started exploration on the moon, and there they discover something that astounds them. A sheer black monolith has been discovered underground in the moon, in a sector that the US controls, and the eminent Dr. Heywood Floyd is sent to the moon to do further investigations and help the scientists over there. He is told that they have discovered a magnetic disturbance in a site now called Tycho Magnetic Anomaly-One (TMA-1), and they discovered the monolith underground. It is clear that this is not a natural creation, and was actually created 3 million years ago, so this has to be aliens.
Soon, the lunar sunlight hits them, and the monolith, exposed to sunlight for the first time in 3 million years, sends a strong radio signal out that reaches the far extent of the solar system. Switch to the next episode in the book. A ship Discovery One carrying 5 astronauts and an advanced computer HAL 9000 is on its way to Saturn on an exploration mission. 3 of those astronauts are in a state of hibernation, and the remaining 2, Frank Poole and David Bowman, are the ones who are the ones who are supposed to be in charge of the ship (or more likely, be secondary advisors to HAL who can run the ship totally on its own).
The HAL 9000 is an advanced computer, but its designers had never thought about wondering about the impact of the orders it had been given to the intelligent brain. HAL had been given orders to conceal the real knowledge about its mission to both Poole and Bowman (to explore Japetus, the 3rd largest moon of Saturn, the destination of the radio signal from the monolith on the moon), and this was conflicting with its other orders to report all the information fully. This was causing a conflict, and in these strained times, when it felt threatened with termination, it actually decides to kill the astronauts.
So, first it kills Poole by reporting one of the critical AE35 units as malfunctioning twice, and then when Poole goes to investigate, killing him with his own space pod. Then when Bowman threatens it with shut-down, it opens the airlock of the spacecraft to the pressure of the vacuum. Eventually, Bowman gets to an emergency shelter, and then retakes control of the spacecraft by shutting down the circuits of the HAl 9000 computer. He also buries the 3 hibernating astronauts in space, and decides to complete the mission on his own control.
He reaches Japetus with a lot of help from mission control, and discovers a black monolith on the surface. While reporting all this to mission control, he decides to approach Japetus using his space pod, and when almost there, before the pod reaches the monolith, he sends out a final signal ‘The thing’s hollow — it goes on forever — and — oh my God! — it’s full of stars!’
Bowman goes through an extra-ordinary journey, realizing that the monolith is a giant switching system, similar to a ‘Grand Central Station’ of the universe. He sees things that he never thought that he would see, while in a protective shield that saves him from the surrounding regions (including a very close red sun). As he finally sleeps, his mind and memories are drained from his body, becoming a new immortal entity that can travel through space, a Star Child. Bowman now returns to the Solar System and Earth, and is now a very powerful entity, but unsure of what to do - something that he will eventually figure out.

Airframe is an interesting novel by Michael Crichton. It starts out with a normal flight returning back to Denver from Hong Kong when suddenly the whole plane starts to go haywire. The plane starts rapidly going out of control, and everything inside moves very rapidly, with passengers getting bounced around. And the plane declares a emergency off the California coast, and makes a rapid landing. A pretty horrific event. This starts the whole novel.
A typical event like this, which results in injuries and deaths to passengers will get investigated to the last bit of detail; after all, if there is a problem inside the type of plane, it needs to be found out so that the same thing can be avoided on other planes with other airlines. Part of the people who get affected by such an accident are the plane manufacturers, Norton Aircraft. They have to quickly figure out what went wrong, both to avoid scaring other airlines and to satisfy other stakeholders such as the media, shareholders, etc.

The person central to this novel is Casey Singleton, a divorced single mother who is currently the Quality Assurance Representative on the Incident Review team (the team who actually does these sort of investigations) at Norton Aircraft. She will also be the press spokesperson, a high pressure job. Unfortunately, for the investigating team, there are some constraints;
- The flight crew has already left the country
- There is a probable deal with the Chinese airlines for 50 aircraft, so this incident needs to be investigated accurately within a very short time
- The union has heard rumours about a vital transfer of technology to China, and is beginning to get hostile
AS the investigations start, Casey soon discovers that not everything is as it seems to be, and she could very well be the scapegoat. She also has to balance being a single mother on top of everything else. She is also getting attacked by a mediaperson out to get some sensational stuff. DOes she manage to do a good job and uncover the truth ?

The last review was the Volume 1 of this collection. This is the concluding review, taking on the stories in Volume 2 of this series. There are some great stories in this collection as well, and let’s get started on reading them.
Asimov has an incredible novel called ‘Nightfall’, about a society, not very advanced, that has 6 suns all around it, and does not know darkness. It’s scientists find out that the society has followed an unusual pattern, with society dying and taking rebirth every 2500 years, and almost at the same time, they discover the law of gravitation, and find that the 6 suns actually all go into an eclipse once every 2500 years, and the time for that is approaching. This society cannot stand darkness, and when the suns are all away, setting fire to society is the only response from the crazed crowd. Nightfall was developed from a short story, and this story is there in this Volume of short stories.
There are some very interesting stories - some stories about interaction with alien species such as ‘Green Patches’ - probably a form of precursor to the single super-organism concept used in his later novels; there is another moving story about conflict with an alien species in the story ‘Hostess’ - in fact, this is about a parasitic organism, ‘Breeds there a man’ is more about humanity being a lab species for a super species, C-chute is about the conflict with another species and the disparate group of people who get caught in this conflict, ‘In a good cause’ is a classic story where the focus is on inevitable conflict with another species and the different ways of getting humanity to focus on this conflict. ‘What is this thing called love’ is a humourous take at some of the same concepts.
‘What if’ deals with some what if scenarios in a relationship, and is a pretty intersting story, ‘The Ugly little boy’ is a story about the passion of motherhood and what it can make a person do, ‘Sally’ is an intersting story about a sort of robotics and how it can eventually seem scary, the same with ‘Nobody here but -’, ‘Its such a beautiful day’ is a great story about the wanting to escape from a closed society even when it is very comfortable. ‘Strikebreaker’ is a very moving story about the discrimination in a closed society and how they can make humanity veer off its basic sense of right and wrong,
In this second volume, Asimov was moving more towards a model of more conflict with other species, where eventually humans will strove to move into other worlds, and conflict is inevitable. It is possible that the basic nature of humanity being of a state of independence of thought, the possibility of humanity getting split is also possible.

Isaac Asimov is famous for his visionary science fiction works such as the Foundation series that take on a future galaxy side humanity and its search for peace and order as well as progress, and for his Robotic laws that seem like natural constraints on the actions of robotics experts. Besides these however, Asimov also wrote a number of short stories, and they find place in the 2 Volume Short Stories collection. This article takes on the first volume of this collection; the stories are an incredible mix of societal issues, future trends, and so on. There are some very interesting stories in this collection, and some that were somewhat not so interesting to me.
The best story of this collection, and one that appeals to me the most, is a story called ‘The Last Question’. This is a story that takes on a question, moves it along the ages, never answering it, while projecting the technological advances in the ages that follow until you end up in an age ten trillion years in the future, when the entire universe is dying; and then you get the story of the creation mixed up in this answer ‘Let there be light’. This story, while being a pretty short story, and without much complexity, is about the best blend of science and religion that I have seen.
There are numerous other stories that are particularly interesting stories, with the first one, ‘The Dead Past’, being a very direct reminder about the dangers of tinkering with some things that should not have happened, such as creating a machine capable of looking into the past. ‘Franchise’ talks about a future dealing with ability of machines to interfere in the political process that seems like fantasy, but it could have seemed realistic at some point of time. ‘Gimmicks 3′ is a delightful story about dealing with having sold your soul, and the way to get around that. ‘Kid Stuff’ is another interesting story about dealing with non-human creatures.
Some of the stories are more complicated such as ‘The living space’ about alternate probability patterns of existence. And we do have stories related to robotics, ‘Satisfaction guaranteed’ is a very interesting story dealing with robotics and human interactions, including the natures of self-confidence and jealousy. ‘Hell-Fire’ is a very short story about the dangers of atomic weapons, similary ‘The Last Thump’ is about the dangers arising from atomic weapons. ‘Jokester’ is a story that is very worrying, dealing with the problems about the existence of jokes and whether they are just a lab experiment. ‘Profession’ is a very moving story dealing with the need for future societies to encourage people to have new ideas for development of society; one reads this story, looks at the present, and is very happy that our society did not develop in such a manner (I would seriously recommend that this should be a story that should be part of general reading).
There are other stories such as detective story that would not be out of place in today’s stories - “I’m in Marsport without Hilda”. Asimov also wrote a few stories on the innate nature of humanity to fight wars and yet maintain their overall nature of independence, such as ‘The Gentle Vultures’. Asimov also could not really conceptualize the age of the personal computer, imaging the existence of centralized massive computing resources, and in the midst of this single large computer of his called ‘Multivac’, he wrote a story about the stress of all the troubles of the world on this computer, and the incredible urge of the computer to terminate itself, called ‘All the troubles of this world’. The story ends in this line, ‘I want to die’.

Movies that are based on science are sometimes successful (take Spielberg’s movies - Close Encounters.., ET, Back to the Future, etc), but many more are unsuccessful. All of these movies portray science as not very hostile, and then came in the hard science fiction movies, with Aliens and The Terminator being movies that were more action oriented, less warm and fuzzy, and very successful. For example, The Terminator cost around $6.5 million to make, and earned around $78 million worldwide. It was a critical success as well, and set the stage for sequels to be made. The movie also played a big part in making Arnold Schwarzenegger that super-star that he became.

The irony around this is that Schwarzenegger was not the first choice for the role, the role of the terminator was initially envisaged to be a small person, not particularly unremarkable. Schwarzenegger was first offered the role of the human from the future, but there was a realization that Schwarzenegger was better suited for the role of the terminator, and that automatically made the role of the terminator to be a big muscular man.
The movie is based on the concept of a future where the machines rule and the humans are fighting back, led by a brave and great hero, John Connor. The machines are able to plan a great deal, including creating robots with living tissue over a metal skeleton (cyborg) in order to better infiltrate the rebel humans, but are unable to score a clear victory. And then the machine leader, the intelligent network Skynet, thinks of a diabolical plan (although would be apparent to anybody in the age of time travel). A cyborg is sent back to 1984 to kill the mother of the rebel leader, Sarah Connor (based in Los Angeles). The humans are able to also send back a rebel soldier, Kyle Reese, to try and protect her.
And thus start the action. The cyborg is a robot, it cannot be reasoned with, it cannot be destroyed with small arms fire, and is ruthless. The robot starts with the phone book, where 3 Sarah Connors are listed. It kills the first 2, and is hunting for the third. When he is trying to kill the third, she is protected by Kyle, who explains his mission and who the cyborg actually is. He can only use current machinery since time travel did not allow him to get back superior weapons, a handicap against the cyborg, aka the Terminator.
When the terminator attacks again, there is a chase, where they are arrested. Typically, the police see a number of weirdos every day, and if you start to spin a story about a robot from the future trying to kill, then it is unlikely that you will be believed, especially if being examined by a shrink. And so their story is not believed. The terminator arrives at the police station and asks for Sarah and Kyle, but is thwarted. Then comes an epic one liner, “I’ll be back !”, and so he does, attaching the police station with a powerful vehicle.
A full scale attack on a police station ? The police fight back, but against a terminator incapable of being killed by their weapons, useless. The terminator kills 17 policeman, but Reese manages to escape with Sarah. They try to hide at a motel where Reese shows Sarah how to make pipe bombs. The scene turns a bit romantic, no doubt furthered by the close escape from the terminator, and they make love (ending up conceiving the future leader, John).
The Terminator manages to track them down, and the situation is now near the end-game. Reese is wounded in the attack, but are able to attack the terminator with a bomb, causing extensive damage to its metal skeleton. However, even the remaining shell of the skeleton is after them, and they escape into a factory. Reese manages to destroy the legs of the Terminator, but at the cost of his own life. It is Sarah who finally destroys the upper part of the skeleton in a machine press, where finally the terminator is killed / terminated / made inactive.
The movie ends with scenes showing Sarah preparing for the future, pregnant with Reese’s son (who will become John), traveling in Mexico, staring into an uncertain future.
The movie has a big cycle around time that could confuse you if you started thinking around it. The man who will save the rebel humans is John Connor, son of Sarah Connor and Kyle Reese. Reese in turn is a man from the future, who only came into Sarah’s life because he was sent back by John. This is a cycle, with no start and end.

Some years back, the quest to make limitless energy from the concept of cold fusion seemed like the answer to our energy ills; it was propounded as the next frontier in research - unfortunately, the entire research imploded in a drama of falsehood and accusations. The Saint, use the theme of cold fusion as the central scientific thread running through the movie. However, the movie is more than that. It gives the 2 main characters of Val Kilmer and Elizabeth Shue a good platform to display their acting abilities, and I liked Val Kilmer in this role.
The Saint is not a new concept, being based on the main characters of Simon Templar in the series of books (created in 1928) by Leslie Charteris; these books were published under the series ‘The Saint’. These series finally ended in 1983, and also found their way into multiple movies, a radio series of the 1940’s, a British television series starring Roger Moore, and others.

In a slight deviation from the original, this movie does not have the hero claiming to be the character from the book, but the name is instead combined from 2 names, Simon from Simon Magus, and Templar from the Knights Templar, a medieval sect of warriors. The movie also had an interesting twist; in the original version, the female lead, Dr. Emma Russell is killed and Simon Templar goes back to do battle, to avenge her, leading to a final climatic battle with guns, tanks, exploding oil, and so on. However, test audiences did not like this ending, and the movie ending had to be changed drastically, ending in the current form.
The movie has a fair amount of adventure and action, with some amount of unbelievability. To be able to get into the Russian President’s bedroom, bypassing his entire security, and that too without much external support seems somewhat difficult, but the Saint managed it without too much effort.
The movie is essentially about the scientific efforts of Dr. Emma Russell, who is developing the formula for cold fusion, and has achieved some success in it. On the other hand, there is Simon, who has been tormenting the British police with his various heists, committed under different names (each name being that of a different saint). He has one final heist left so that he can reach the $50 million mark. This comes to him in the form of a Russian oligarch, Ivan Tretiak, who wants to get the Presidency of the Russian Federation, and wants to hire The Saint to steal it. After some hesitation, when threatened with the death of Dr. Emma, Simon agrees to do it.
He woos Dr. Emma, steals it and then turns it overs to Ivan. It is however incomplete. In the meantime, Dr. Emma comes to Moscow after him; and Tretiak is now after both of them.
The action gets more heated up, and leads to the Russian President’s bedroom where Simon bursts in, and then Tretiak and his son comes in to capture both of them. Tretiak plans to expose the President’s wasteful expenditure in buying such a formula in a show trial. However, during this process, the missing part of the formula is released, and the experiment is shown to be a grand success. The President quickly resumes power. There is a final tease scene where The Saint shows himself to British police, and then meets Dr. Emma.