Archive for the ‘Psycho Drama’ Category
Imagine a movie in which you see a set of characters being put in a weird setting where they can get killed by sudden moves, where there is no recollection of why they are placed in that location, and where answers need to be figured out, and tested out one by one (and where figuring out the puzzle incorrectly can result in serious injury or death). It would almost seem like the viewer only knows as much as any of the characters, and even the characters keep on changing personalities through the movie. Combine that with the movie being made by a newbie director, and being made on a low budget, and you can consider such a movie to be a ‘blink and miss’ kind of movie. Movies like this come and go, and you won’t miss much.
Well, Cube was nothing like that. The movie was a decent commercial success, including overseas (especially Japan and France) and is now considered a cult hit. The movie inspired 2 more movies – Cube 2: Hypercube (2002) and the prequel Cube Zero (2004). It was also nominated for a few awards (not the Academy awards though). The movie was a real low budget one, and had some complex mathematics involved if the viewers wanted to figure out what the logic being used inside the cube were.
Cube is the story of a group of people who find themselves inside a white room, cube shaped, with no idea of why they are there. When they compare their professions, there does not seem to be any commonality between them, with people being a police officer, a doctor, and so on. They resolve to move as a group and to try to escape, but are foundering about what to do. There are 6 doors in the room, one in each wall, one in the ceiling, and one in the wall. The doors lead to more rooms, and problematically, some of the rooms are booby trapped; entering could lead to a painful death – as happens to one of them when he enters a room and is sprayed in the face with acid that kills him.
The set of people are facing 2 main issues
- Quentin, the police officer and the one who seemed to be the most responsible is losing his head, and attacking the others in the group. On the other hand, Dr. Holloway, who seemed to be the most unstable at the beginning, begins to show a great deal of stability as the movie progresses
- The mathematics involving prime numbers to figure out which cube was a trap or not was complicated enough (until the idiot savant Kazan shows his great mathematical talent for doing these calculations), but then they learn that the cubes are also on the move, doing a complete movement before returning to their original position, and that the timeframe to escape is limited.
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Agatha Christie created 2 fabulous characters – Hercule Poirot, and Miss Marple; each of them were brilliant at connecting clues, tying them in with human emotions and solving crimes that would baffle other people; in that respect, they were similar to Sherlock Holmes (created by Sir Arthur Conan Doyle). Hercule Poirot was made as a lovable, and yet highly vain character. He knows that he is smart, he can solve cases that no one else can, and he is very vain about his moustache. He is also a perfect gentleman in terms of manners, although with a high ego, he can get easily offended. All these characteristics pale in front of the indisputable fact that he can use clues to evolve a story, change his thinking if the clues don’t match, and explore all possible alternatives even if they seem extremely unlikely.
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This particular novel, ‘An Appointment with death’ was released after many other Hercule Poirot stories had been published, so the standard for Hercule Poirot in terms of character and success was already set. Here was a guy who read the same clues as the reader, and others in the story, and yet was able to solve the crime (in many cases, the actual murdered was a surprise to most people – read ‘Murder on the Orient Express’ as another great book with the same subject).
The novel deals with a family under great stress, the matriarch of the family is a tyrant of the highest degree, controlling the family (interactions, emotions, experiences, she controlled everything). This stifling was causing immense harm to the family members (including possibly breaking up the marriage of her son), and then, while on a trip to the Middle East, she is murdered. There is not much time to solve the crime, and since Hercule Poirot was at the same location, his services were requested. He needs to figure out the various movements, marshal the clues, and see which of the oppressed family members committed the crime.
The initial part of the story where the family is getting discussed between 2 outsiders, Sarah King and Dr. Gerard, is fascinating as you get to understand the family dynamics in fair detail. This is setting the ground to claim that most people in the family also had a reason to kill her, and then Poirot had heard something earlier that seemed like her children were plotting to kill her. In the 24 hours in which he was involved in the case, he works out that the family members had indeed found her dead, but suspected the other and hence tried to save them.
The name of the murderer, when finally revealed, is a major surprise, one which most readers would not have predicted.
Horror is not only about things that creak in the night, or about other such stuff that is tried to scare you. The concept of a crazed human being, who otherwise looks perfectly normal, and who kills and terrorises others, can be very scary. Especially, when this is done by someone who takes their time over this, willing to wait for a certain period of time before carrying out their mission. No matter that it takes time, the mission is uppermost in the mind of this individual, and he or she does not care about the feelings of others, or that if necessary, other human beings can be killed.
The Night of the Hunter is a movie acknowledged to be a ‘film noir’ movie, although there are people who absolutely love the movie, and there are others who cannot understand why the movie is so liked; after all, the characters are not really daily life, the story may not be so plausible, and the acting is considered by some to be over-done.
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When the movie was released, it was not met with rapture by critics, but over a period of 4 decades, the movie has been shown on Television multiple times, and has acquired a cult following (to the extent that the movie is now believed to be a top 100 movie; it is also regularly listed among the most scary movies of all time). The movie was directed by a one-time director, Charles Laughton, who was much more famous as a Academy Award winning actor, and screen-writer. The movie stars Robert Mitchum in the main role as the demented killer.
Night of the Hunter was based on a book of the same name by author David Grubb, and both were based on the real life story of Harry Powers (executed in 1932 for being the main accused in the murder of 2 women and 3 children). The story was powerful, but the style of the movie – it combines religious overdone, a Brothers Grimm type fairy tale in the middle, and a stalker who is most ruthless.
The movie is about the self-styled preacher, Harry Powell (Mitchum) who is sharing a prison cell with a man Ben Harper (Peter Graves) who is sentenced to hang for his part in a robbery in which killings happened. He alone knows where the money is hidden, and only tells his children (John (Billy Chapin) and Pearl (Sally Jane Bruce)) where the money is located. He does not tell anyone else, not even his wife. Powell tries to get Harper to tell him where the money is located, but no dice; however he does get an elusive clue from Harper in the manner of a quote uttered in sleep “And a child shall lead them”. This is enough to convince Powell that the children know where the money is located.
Once he is out, there is a single minded quest to get the money, and to be near the children, he manages to get Harper’s widow Willa to marry him. However, even on questioning, the children do not trust him and do not tell him anything. Willa eventually finds out, and Powell then kills her. After Willa, Powell uses threat and manages to get them to tell him the location, but then escape with the money on a boat ride (a most fantastic ride) and find sanctuary with Rachel Cooper (Lilian Gish). Powell searches for them, and finds Rachel, but she manages to hold him off, and then the police arrive.
There are 2 types of war movies; the ones that take a slightly more romantic view of war, and then there are the ones that seek to portray war more realistically. They depict war as something that dehumanizes human beings, with no nobility being there. People suffer huge emotional and physical trauma, including both the people who take part in it, and the collateral damage to civilians (people in the territories where the war is taking place and the relatives and friends of the war participants). There are a number of movies that came out during and after the Vietnam War that portray the horrors of the war, such as Apocalypse Now, Platoon, etc. The Deer Hunter is another movie of the same type, that takes 3 people who enter the war as soldiers, suffer the horrors of the war including capture and torture in a VietCong Prisoner of War camp, and then takes their experiences just after the war (not their life, but their experiences still related to Vietnam).
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The film was loosely based on a screenplay called “The Man Who Came To Play” (by Louis Garfinkle and Quinn K. Redeker) depicting people who come to Las Vegas to play Russian Roulette (the game is a dangerous game of taking a chance with a bullet in a gun, just not knowing which chamber the bullet is in); this screenplay idea was then combined with an idea about a group of steel workers who go to Vietnam for military service, with their life now revolving around the effects of the war and its aftermath. The movie showed several serious and challenging subjects such as suicide, mental illness, the effects of war, etc.
The movie centers around these 3 Rust belt workers, Michael (Robert De Niro), Steven (John Savage), and Nick (Christopher Walken). In their service in Vietnam, they are captured and help in a POW camp; the guards, to relieve their boredom, force the prisoners to play the game of Russian Roulette. Steven shoots the bullet above his head, and is punished by the guards for not following the rules of the game. Nick and Michael manage to overcome the guards, kill them, and escape along with Steve.
Escape in Vietnam means floating down the river, and that is what the 3 friends do. Only of them (Nick) manages to escape in a rescue helicopter, while Michael jumps in after Steve who has fallen into the river, since Steve’s legs were damaged in the fall. Steve and Michael eventually manage to make it friendly lines, and lose contact with Nick, who eventually finds himself in a Saigon bar playing Russian Roulette all the time.
By the time much later that Steve and Michael reunite, Nick has become totally lost to everybody else, his only place being the Saigon bar. By the time Mike manages to locate him, Nick no longer can remember anything and refuses to go back to the US, and then it happens. He finally shoots himself in the head.
The Deer Hunter won
Best Picture,
Best Director (Michael Cimino),
Best Actor in a Supporting Role (Christopher Walken),
Best Film Editing, and
Best Sound.
Nominated for
Best Actor in a Leading Role (Robert De Niro),
Best Actress in a Supporting Role (Meryl Streep),
Best Cinematography (Vilmos Zsigmond) and
Best Writing, Screenplay Written Directly for the Screen
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