Religious issues tend to be very controversial, and if it concerns the founder of a religion, any depiction that deviates from the well-accepted view can provoke a number of feelings. And so it was with this movie, The Last Temptation of Christ (released in 1988), that sought to depict some events and theories that are not part of accepted Christian lore. For example, if a movie seeks to portray that Christ was not the son of God, or had a relationship with a woman and had a child, or did not die on the Christ, there can be a huge backlash. And so it was with this movie, which remains banned in some Christian dominated countries, and also provoked a backlash that was far more severe than the studio and the director (Martin Scorsese) expected. In recent years, there has been some acceptance of the movie’s portrayal of Jesus as one who confronts all the human weaknesses and overcomes for his vision; the movie sought to explore all the sentiments that would have driver such a person. In the end, the movie did not too well at the box office.
Scorsese had been looking to make a movie on the life of Jesus for many years, and had taken the film rights of the 1960 novel by Nikos Kazantzakis, even getting a screenplay for the movie ready by the late 70’s by Paul Schrader, and production was even planned in 1983 with Paramount as the studio. But by late 1983, the project was cancelled by the studio, and then Universal Studio took up the project again in 1986 with photography starting in 1987. The movie was entirely shot in the African country of Morocco.

The movie has many concepts that do not gel with standard Christian philosophy, such as the concept of Jesus making crosses used by the Romans to kill Jewish prisoners by crucifying them, by portraying Judas as a far more complex and positive character (obsessed with ensuring a revolution by the Jews against the Romans rather than the betrayer he is positioned in standard Christian philosophy).
The movie starts out with the internal conflict in Jesus, who realizes that God has some plan for him, but that he is also human. When he starts to make the crosses for the Roman army, he is branded a traitor by Jewish revolutionaries. Judas is sent to kill him, but he waits and watches Jesus’s message about love, and joins his ministry. Jesus starts preaching to people, saving the life of Mary (a prostitute) from a mob. Jesus is still working his way through what his aim in life is, and starts attracting disciples. Satan tries to sway Jesus 3 times, but each time Jesus refuses to get swayed. More events happen in the life of Jesus, but which convince him that the path of violence is not for him. He has asked Judas to get the temple guards to take him away, which happens after the Last Supper.
And then Jesus is put on the cross by the Romans since he is deemed a security to their current rule; and then the most controversial part of the movie. He is convinced by an Angel (actually Satan) that he is not the Son of God, and he should lead a normal life; where he meets Mary, makes love to her and then has a family. In the end, he is found by Judas near his death, who calls him a traitor, and that the angel was actually Satan. Jesus goes back to the cross, and then it is revealed that all this was a dream, and dies on the cross.

The Hustler (released in 1961) was a movie ostensibly about a pool game, about the efforts of a talented pool player to defeat the reigning pool champion, about the tribulations that he had to suffer in this process, including the losses. In reality, The Hustler is now defined as a movie defining the character of a person, the winning and losing that makes up the character. The movie is classified as a classic movie, continuing to rate positive reviews. The characters look like real characters, with their anguish, their weaknesses, their obsessions, and how they shrug off adversity in the face of an ambition. The movie also benefited the game of pool to a very high degree, since pool was declining in popularity for decades; but the movie had a big role to play in pushing the popularity of the game into reverse direction, making pool popular again. The movie is now compared with the later ‘The Color of Money’, but while the later movie is more smooth and polished, The Hustler is a much more raw look at human emotions, about what makes a person win or lose. The Hustler got a number of Oscar nominations, 9 in all, and won 2 (Best Art Direction-Set Decoration, Black-and-White (Harry Horner and Gene Callahan) and Best Cinematography, Black-and-White (Eugen Schüfftan)).
Newman was nominated for Best Actor role, but did not get the award, instead getting it decades later for a role that was a continuation of the movie, The Color of Money (with some critics calling the Oscar award as a recognition that he should have got the award for the Best Actor role for The Hustler).

The movie was based on the 1959 novel (of the same name) by author Walter Tavis, and the book was adapted by Sidney Carroll and Robert Rossen for the movie, with Rossen directing the movie. The main stars of the movie are Paul Newman as Eddie Felson, Jackie Gleason as Minnesota Fats, Piper Laurie as Sarah and George C. Scott as Bert.
The movie is the story of “Fast Eddie” Felson (Paul Newman), who is traveling with his friend Charlie (Myron McCormick) chasing “Minnesota Fats” (Jackie Gleason), a famous pool player. He meets Fats at Fats home town, and they agree to play for money. Eddie is ahead, but gets carried away and refuses to quit even when Charlie asks him to quit; then a professional gambler Bert Gordon (George C. Scott) is called over by Fats, and he diagnoses Eddie as a loser, without character; and sure enough, by the time that everything is through Eddie has lost everything except for $200.
Eddie meets an alcoholic girl, walking with a limp, Sarah Packard (portrayed pretty well by Piper Laurie); she refuses to take him in initially, but after they meet again and again, she lets him into the house. Eddie continues to hunger to challenge Fats again, and Charlie and Eddie have a face-off and then separation. And then Eddie ties up with Bert, who agrees to back Eddie in return for a 75% take from the returns. And then Eddie will challenge Fats again, but at what cost to Eddie ?

The Hustler was a film released in 1961, starring Paul Newman in the role of the pool hustler Edward “Fast Eddie” Felson. Then in 1984, a novel was published with the title of ‘The Color of Money’, based on the same character, and with the story of the continuation of the life of Felson. After a period of 20 years, he is back into the pool world; and like many such sequels, the only continuation of the story is in terms of the same character, without needing to watch the previous movie. The novel was written by author Walter Tevis; and he was hired to write a screenplay for a movie based on the novel; and then the screenplay was not used at all. Instead the movie finally used a new screenplay (written by Richard Price); and if you have seen the movie ‘The Baltimore Bullet’, you will find many sub-plots to be similar (The Baltimore Bullet was a pool comedy released in 1980). The Color of Money is an interesting title, and seems very logical if you consider that a dollar note is based on a green background, and so is the color of the cloth used to cover a pool table. The movie was directed by Martin Scorsese and also starred, besides Paul Newman, Tom Cruise, Mary Elizabeth Mastrantonio, Helen Shaver and John Turturro.

Scorsese also appears in 2 cameo instances in the movie, once while walking a dog, and playing pool in the other instance. The movie also included many real life top pool players from the 1980’s with them having small roles. The movie is not only about pool, since pool is only the instrument, it is actually about human behavior and what drives people, and if you were to compare the pool shots with the earlier, “The Hustler”, you would find the quality of pool shots to be much better in the previous movie.
Newman is no longer in the game, but at heart, remains connected to the game. He is now a liquor salesman; but then comes across a brash cocky young kid, Vincent (Tom Cruise), and decides to take him on the circuit, teaching him how to hustle money, which makes for interesting viewing, since you have 2 people with egos against each other and having to work with each other. And you have seen what happens after this in numerous movies, where the protege moves away the mentor (with his own brash confident manner combined with the influence of the girlfriend) and then they have a show-down with the game (you see this in the Rocky movie where Rocky promotes a kid who moves away from him and they have a final street fight); and then he learns that Vincent really did learn the full contours of making money, including when to fold and when to win.

From viewing Martin Scorsese’s movies, it would seem that Robert De Niro was a perpetual favorite of Scorsese, so when he would make a movie without De Niro, it was always a surprise, like the movie After Hours, which was the first movie in a decade by Scorsese that did not star De Niro. Martin Scorsese was not supposed to be the original director for this movie, which was based on a screenplay that Joseph Minion wrote (given that he was only 26 years old when the movie was made); the screenplay was wrote when Minion was doing an assignment as part of a film course at Columbia University. The movie also faced a court case after release since the radio host Joe Frank claimed that the screenplay and parts of the dialog were based on his radio monologue (and there was a settlement in which he must have got a good settlement). The movie was a fairly low budget movie, costing around $4.5 million to make, and made around $10 million; and of course, like many other movies, this was not very acclaimed when it was released, and only later was classified as a cult movie.

The movie deals with the sudden happenings in the life of Paul Hackett (although the night finally ends with everything turning out okay in the end). He meets a lady called Marcy Franklin (Rosanna Arquette) while in a cafe and they discover that they have a common interest in Henry Miller. They exchange phone numbers, and Paul also gets to know that Marcy lives with Kiki Bridges (Linda Fiorentino) – a person who sells Plaster of Paris paperweights. Paul is interested, and goes to meet Marcy, but he loses his $20, and has no money left to pay the cab, which of course means that Paul has to face the hostility of the cab driver. And then in the apartment, Paul comes across some photos of Marcy which imply that she has serious burns; he leaves soon after, with the would-be-relationship between them ending, and then he learns that those photos were not true.
No longer able to afford a cab, he tries to use the subway, but with a fare increase coming into effect just at the stroke of midnight, he no longer has enough money. He goes to a bar, but the owner does not have the keys to the cash register to help him, so he takes the keys to the apartment to get the keys to the cash register, but then things keep on happening .. which eventually ends with him being turned into a plaster of paris cast, which is then stolen and falls off at his place of work, and he is ready to start a fresh day. Interesting movie ..