Sergei Leone became famous for the spaghetti westerns that he made, and for which he was the prime creator. At the same time, some of these westerns were very acclaimed movies, ranked among the great movies. One of the great westerns he made was ‘Once Upon a time in the West’ made in 1968, and it was almost from that time that he read a book by a mafia insider (known by a pseudonym called Harry Grey) called ‘The Hoods’. He was inspired by this book, and wanted to make a movie out of this book, but because the movie rights of the book was held by another producer, it took him a couple of decades to finally make this movie. Over this long time, a number of different actors were thought of for the key roles of Max, Noodles, and Deborah (with the number of people being thought reading like a roll call of the actors of the movie industry), in the end, the main adult roles of the characters were played by Robert De Niro, James Woods, and Elizabeth McGovern (adult female lead), Jennifer Connelly (younger female lead).

The movie itself came in for controversy because of its long length. After the shooting, the director and editor found themselves with more than 8 hours of footage. Leone, not wanting to cut down from the many scenes, initially wanted to release the movie as 2 three hour long movie parts, but had to back down after the producers insisted. He finally cut down the movie to an almost 4 hour long, 229 minute movie (which is also fairly long by most standards). This 229 minute long movie was very well received by critics; but the US release had a different story. Against Leone’s wishes, the movie was cut down further, by cutting another 90 minutes from the movie, resulting in a movie that was not welcomed by the critics. However, when they saw the original 229 minute cut, they changed their opinion, and that is the version that is the popular one now, with most people pretending that the shorter version does not exist.
The movie takes 3 different timelines, with different ages for the main characters. In the early part of the movie, in the early 1910′s, with the characters in their early years, struggling to survive in the ghettoised neighborhood. Noodles and Max meet up, and become the local leaders of a small gang, until they have a fight with another gang, at which Noodles kills the the other gang leader and attacks a police officer. He is now jailed for 12 years.
After Max comes out of jail in 1932, he re-joins Noodles and other gang members, and they slowly start getting involved in Mafia matters, taking part in jobs, getting involved in strikes and being on the side of the union leaders. However, Noodles is hesitant at the pace proposed by Max and tries to get them to slow down. He calls the police when the gang is at another job in order to get them to slow down, but this results in an encounter in which his gang friends, including Max, are killed. Noodles goes to get the gang money, but finds that missing. He eventually changes his identity to escape the hunt by the Syndicate for the traitor, and lives in Buffalo for decades.
In the fast forward to the future, in 1968, Noodles returns to New York City, and finds that there are some surprised. He discovers that Max had actually faked his death with help from the Syndicate, and then deceived his friends, and had stolen the money. He now wants Noodles to assassinate him, but when Noodle refuses, Max commits suicide by throwing himself into a garbage truck (an iconic scene).
However, there is a flashback, where the Noodles of 1933, in an opium den, on the run from the Syndicate is shown; he is an opium induced trance, and the supposition is that the entire future events of 1968 are actually a dream, and this is something that Sergei Leone has confirmed in an interview.

There are many movies that have been adapted from screenplays or from books, and West Side Story is one of the most successful of the lot. The movie was adapted from a running screenplay of the same name, which was adapted from a very famous piece of work by Shakespeare called ‘Romeo and Juliet’. The movie credits the direction by 2 people – Robert Wise and Jerome Robbins. Jerome Robbins was the first director, and he was also the director of the stage version, as well as being responsible for planning and directing all music and dance sequences in the film, as well as all the fight scenes. However, when around 60% of the movie had been shot, the producer of the movie (Robert Wise) felt that the costs had not been in check, and Robbins was fired. In the end, when the movie earned 10 Oscars (out of a total of 11 Academy Awards nominations), Robbins got a special award.

The concept of ‘Romeo and Juliet’ is an extremely old concept, valid in different cultures and across geographies. The theory that a girl and boy from 2 rival clans meet, fall in love, and fall victim to the enmity between their clans (and getting killed due to this rivalry) is something that finds mention in a lot of different cultures. This movie is also based on the same concept, with the clans being modified to be 2 different gangs set in New York in the 1950′s. These are 2 rival gangs called the American Jets and the Puerto Rican Sharks (and these are composed of members from different racial backgrounds), fighting for supremacy over the New York neighborhoods in which they operate.
The romantic duo are Tony (Richard Beymer), who is a former member of the Jets gang (and also its co-founder), and Maria (Natalie Wood), who is the sister of Bernardo (George Chakiris), the head of the rival Puerto Rican immigrants gang, the Sharks. These 2 meet at a dance, to which Tony has gone to convey a message about a challenger between the 2 gangs, something that would decide the rivalry once and for all.
The movie is a musical, so there are several song and dances about the tension in the gangs as they proceed to a final rumble (the challenge) between them, along with the excitement in the life of Tony and Maria as their love increases. The story climaxes when Maria requests Tony to stop the rumble, and Tony is subject to ridicule from the gang members when he tries to stop them. His attempts are met with scorn, and the Jets head Riff cannot stand to see this ridicule of his close friend and starts fighting with Bernardo. In this tussle, Bernardo kills Riff, and Tony kills Bernardo in revenge. At this point, the police arrive and the gang members disperse.
Maria is informed by another gang member Chino (Jose DeVega) about the fight and about Tony killing her brother. When Tony arrives, Maria is very angry, but Tony manages to convince her by detailing what happened at the fight, and by offering to surrender to the police. However, the story happens in tragedy when Tony and Maria are about to meet, Chino comes in and shoots Tony. It is in this tragedy that the gangs unite, when member of both gangs carry Tony’s body.

Academy awards:

Wins:

Academy Award for Best Picture – Robert Wise, producer
Academy Award for Directing – Jerome Robbins and Robert Wise
Academy Award for Best Supporting Actor – George Chakiris
Academy Award for Best Supporting Actress – Rita Moreno
Academy Award for Best Art Direction (Set Decoration, Color) – Victor A. Gangelin and Boris Leven
Academy Award for Best Cinematography (Color) – Daniel L. Fapp
Academy Award for Costume Design (Color) – Irene Sharaff
Academy Award for Film Editing – Thomas Stanford
Academy Award for Original Music Score of a Musical Picture – Saul Chaplin, Johnny Green, Irwin Kostal, and Sid Ramin
Academy Award for Sound – Fred Hynes (Todd-AO SSD), and Gordon Sawyer (Samuel Goldwyn SSD)

Nominations

Best Writing, Screenplay Based on Material from Another Medium – Ernest Lehman

Some Like It Hot, a movie released in 1959 and starring Marilyn Monroe, has been acknowledged to be one of the top 10 movie comedies of all time, with the American Film Institute calling the movie as the greatest American comedy film of all time. The movie stars Tony Curtis and Jack Lemmon as 2 men on the run from gangsters (having witnessed a massacre), and using the guise of women to try and get away from the gangsters. In between, they meet Marilyn and fall for her, while a very rich man falls for one of them (in his disguise as a woman).
The movie was directed by Billy Wilder, and was adapted from a story written by Robert Thoeren and Michael Logan. The same story with some differences had already been used in a German movie called ‘Fanfaren der Liebe’ (made 8 years ago in 1951).

The movie was condemned by religious groups (with the Catholic Legion of Decency criticizing the movie). For a number of decades, Hollywood had been under a Production Code (that covered the morals of movies). It was on its way out, and this movie was one of the movies that contributed to its passing, released after not having received an MPAA logo. The movie was received well, and nominated for 6 Oscars. It won one Award, Best Costume Design, Black-and-White (Orry-Kelly).
The movie is about these 2 struggling musicians, who are trying to escape Chicago after seeing a mob maasacre. However, it is difficult to find a job, and they find that the only out of town job they can get is 2 positions in a All Girls Band that is going to Florida. They join in, dressing as woman (and this is part of the reason why the movie was made as a Black and White movie, since the makeup to make them look like woman was not letting the movie look good in color); and calling themselves Josephine and Geraldine (later changed to Daphne). Soon, they also find themselves head-over-heels for the vocalist and ukulele player, “Sugar Kane” (Marilyn Monroe). It is a bit difficult to express your emotions openly when you are dressing as a woman, so that part is a struggle for them.
Joe becomes enterprising, taking on the role of a millionaire and romancing Sugar in that role; it is Jerry who gets into more trouble. An actual millionaire, Osgood Fielding III, falls for his female disguise, and Jerry plays along in the hope of making some money from this transaction. And then the finale, where the gangsters arrive at the hotel for a conference, and spot these 2. They run from the mobsters, finally reaching the yacht of the millionaire, where the drama continues to happen. Sugar reveals that she has fallen for Joe, and to Jerry’s horror, Osgood keeps pursuing him, right to the end when Jerry reveals that he is a man, a very famous line is spoken by Osgood, “Well, nobody’s perfect.”

Robert Ludlum wrote a lot about conspiracies of power and attempting to take control, a subject that was very popular in the 60′s and 70′s with all the talk of the rise of the arms-industrial complex and associated industries; the good part is that he was able to weave a good storyline that kept a person compelled to read the book. Ludlum’s books had many things in common, they had a fast paced action, they always had many top level people involved, including surprises where some of the people were not expected to be a part of the conspiracy, but they were.
The Materese Circle involves 2 brutal and skilled enemies, Vasili Taleniekov from the Soviet Union, and Brandon Alan Scofield from the US State Dept Consular Relations. These 2 are killers who have killed people loved by either one of them, and hate each other in a visceral way. And they are the 2 main suspects from either side when valuable people on tne US (the Chairman of the Joint Chiefs of Staff) and Soviet (a very renowned scientist) side are assassinated in a brutal way. Suspicion immediately falls onto the other, and is only neautralized when the leaders of either countries calls the other.

Both of these are killers are now getting slightly old, maybe not of so much use to their country’s intelligence community, but still have the talent. However, little do they know about the way that their life is going to be turned. They are soon going to be getting information about a massive conspiracy, called the Materese Circle, spun by an old Corsican rich man and coming to full active life now. The conspiracy has its own troops, its own assassins and its own leaders, and they will stop at nothing to remove the ones they want to remove from their path. The Materese leaders are the ones who are orchestrating the international terrorism community (one must remember this was before the time of the Al-Qaeda), and is now moving towards getting control of both Moscow and Washington DC, and it is very difficult to stop them.
Taleniekov learns of these facts from an old friend who is dying after a visit from a killer of the Matarese Circle, and finds it hard to believe all this conspiracy, and when told to work with Scofield, refuses; but soon things are moving to get them together. Both these skilled killers are, under instructions from Matarese Men, sentenced to death by their respective Governments, no capture, no interrogation, just execution. Eventually, these 2 old enemies, get together (in an incredible episode of violence where they manage to kill the assassins sent to kill them). They travel to the Island of Corsica to learn more, and learn a fair deal more about the origins of the group called the Matarese. They are pursued relentlessly by the Matarese, who don’t hesitate to kill friends and loved ones of these 2.
At the same time, these 2 are getting closer to the source, and eventually manage to reach their target, and in a final burst of violence, manage to eliminate the Matarese council, even as the Soviet is lost in this final carnage. Read the book for its fast paced flow, for the story that could seem realistic in a different time and that is very gripping.