Some Like It Hot, a movie released in 1959 and starring Marilyn Monroe, has been acknowledged to be one of the top 10 movie comedies of all time, with the American Film Institute calling the movie as the greatest American comedy film of all time. The movie stars Tony Curtis and Jack Lemmon as 2 men on the run from gangsters (having witnessed a massacre), and using the guise of women to try and get away from the gangsters. In between, they meet Marilyn and fall for her, while a very rich man falls for one of them (in his disguise as a woman).
The movie was directed by Billy Wilder, and was adapted from a story written by Robert Thoeren and Michael Logan. The same story with some differences had already been used in a German movie called ‘Fanfaren der Liebe’ (made 8 years ago in 1951).

The movie was condemned by religious groups (with the Catholic Legion of Decency criticizing the movie). For a number of decades, Hollywood had been under a Production Code (that covered the morals of movies). It was on its way out, and this movie was one of the movies that contributed to its passing, released after not having received an MPAA logo. The movie was received well, and nominated for 6 Oscars. It won one Award, Best Costume Design, Black-and-White (Orry-Kelly).
The movie is about these 2 struggling musicians, who are trying to escape Chicago after seeing a mob maasacre. However, it is difficult to find a job, and they find that the only out of town job they can get is 2 positions in a All Girls Band that is going to Florida. They join in, dressing as woman (and this is part of the reason why the movie was made as a Black and White movie, since the makeup to make them look like woman was not letting the movie look good in color); and calling themselves Josephine and Geraldine (later changed to Daphne). Soon, they also find themselves head-over-heels for the vocalist and ukulele player, “Sugar Kane” (Marilyn Monroe). It is a bit difficult to express your emotions openly when you are dressing as a woman, so that part is a struggle for them.
Joe becomes enterprising, taking on the role of a millionaire and romancing Sugar in that role; it is Jerry who gets into more trouble. An actual millionaire, Osgood Fielding III, falls for his female disguise, and Jerry plays along in the hope of making some money from this transaction. And then the finale, where the gangsters arrive at the hotel for a conference, and spot these 2. They run from the mobsters, finally reaching the yacht of the millionaire, where the drama continues to happen. Sugar reveals that she has fallen for Joe, and to Jerry’s horror, Osgood keeps pursuing him, right to the end when Jerry reveals that he is a man, a very famous line is spoken by Osgood, “Well, nobody’s perfect.”

Robert Ludlum wrote a lot about conspiracies of power and attempting to take control, a subject that was very popular in the 60’s and 70’s with all the talk of the rise of the arms-industrial complex and associated industries; the good part is that he was able to weave a good storyline that kept a person compelled to read the book. Ludlum’s books had many things in common, they had a fast paced action, they always had many top level people involved, including surprises where some of the people were not expected to be a part of the conspiracy, but they were.
The Materese Circle involves 2 brutal and skilled enemies, Vasili Taleniekov from the Soviet Union, and Brandon Alan Scofield from the US State Dept Consular Relations. These 2 are killers who have killed people loved by either one of them, and hate each other in a visceral way. And they are the 2 main suspects from either side when valuable people on tne US (the Chairman of the Joint Chiefs of Staff) and Soviet (a very renowned scientist) side are assassinated in a brutal way. Suspicion immediately falls onto the other, and is only neautralized when the leaders of either countries calls the other.

Both of these are killers are now getting slightly old, maybe not of so much use to their country’s intelligence community, but still have the talent. However, little do they know about the way that their life is going to be turned. They are soon going to be getting information about a massive conspiracy, called the Materese Circle, spun by an old Corsican rich man and coming to full active life now. The conspiracy has its own troops, its own assassins and its own leaders, and they will stop at nothing to remove the ones they want to remove from their path. The Materese leaders are the ones who are orchestrating the international terrorism community (one must remember this was before the time of the Al-Qaeda), and is now moving towards getting control of both Moscow and Washington DC, and it is very difficult to stop them.
Taleniekov learns of these facts from an old friend who is dying after a visit from a killer of the Matarese Circle, and finds it hard to believe all this conspiracy, and when told to work with Scofield, refuses; but soon things are moving to get them together. Both these skilled killers are, under instructions from Matarese Men, sentenced to death by their respective Governments, no capture, no interrogation, just execution. Eventually, these 2 old enemies, get together (in an incredible episode of violence where they manage to kill the assassins sent to kill them). They travel to the Island of Corsica to learn more, and learn a fair deal more about the origins of the group called the Matarese. They are pursued relentlessly by the Matarese, who don’t hesitate to kill friends and loved ones of these 2.
At the same time, these 2 are getting closer to the source, and eventually manage to reach their target, and in a final burst of violence, manage to eliminate the Matarese council, even as the Soviet is lost in this final carnage. Read the book for its fast paced flow, for the story that could seem realistic in a different time and that is very gripping.

On the Waterfront is a movie that is more than 50 years old now, but it can still make an impact. The movie was an incredible career booster for Marlon Brando, giving him a massive reputation in the Oscar-winning role of a man who was just passing through life as a ‘bum’, being the lackey of a mob boss in the union, until a couple of deaths and the inspiring words of a priest and the sister of one of the ones killed caused his conscience to slowly come back to life and get him to do the right thing. The movie portrays an end full of optimism, with the breaking of the control of the mob boss who controlled the union of longshoremen. The whole situation was that of exploitation of the dock workers, and corruption and use of force in order to retain the control of the boss.

This movie had a certain amount of history in terms of reasons for it being made. The movie was directed by Elia Kazan; he was controversial because he had reported names of possible communists in the American film industry in 1952 (2 years before the making of this movie) to the House Un-American Activities Commission, and he had been criticized for this action. The release of a movie in which the hero breaks the might of a mighty corrupt and evil authority by ’squealing’ / ‘telling the truth’ before a Government commission investigating the waterfront was seen as an answer to the claims made earlier against Kazan that he was a squealer.
Around the period in which the movie was made, the scene of the waterfront was indeed a place of oppression in which ordinary workers had no dignity, only those got jobs whom the boss of the union decided or were in his favor, and there was a systematic exploitation of these workers. The movie was actually based on a Pulitzer Prize winning series of 24 articles in 1949 in the New York Sun by reporter Malcolm Johnson called ‘Crime on the Waterfront’. The article was a harsh expose on the scene on the waterfront, detailing bribery, corruption, payoffs, kickbacks to union officials, theft, murder and a generally oppressive culture.
The movie was seen as such a striking movie with its portrayal of the activities on the waterfront, a great melodrama, and an incredible performance by Marlon Brando that it was nominated for a total of 12 nominations and won 8 nominations, putting it at a very pedestral in terms of awards won:
* Best Actor - Marlon Brando
* Best Picture - Sam Spiegel, producer
* Best Supporting Actress - Eva Marie Saint
* Best Art Direction - Set Decoration, Black-and-White - Richard Day
* Best Cinematography, Black-and-White - Boris Kaufman
* Directing - Elia Kazan
* Film Editing - Gene Milford
* Writing, Story and Screenplay - Budd Schulberg
Nominations that did not win
* Best Supporting Actor - Lee J. Cobb
* Best Supporting Actor - Karl Malden
* Best Supporting Actor - Rod Steiger
* Music Score of a Dramatic or Comedy Picture - Leonard Bernstein

The movie is about a former boxer Terry Malloy who is somewhat slow-witted. He manages to survive by being the odd job man for the union boss Johnny Friendly. His brother Charles Malloy, is the lawyer for Johnny Friendly. He is just content doing jobs given to him by the union boss and for his pleasure, rears pigeons. The chief property of the union is that no information is to be given to outsiders about anything, a policy of D n D (Deaf and Dumb) - similar to the mafia code of omerta. But, another young dock worker is about to report whatever he knows to an investigating committee, and this trouble-maker needs to be eliminated. Terry is used to call him, and then this young worker Joey is then thrown off a roof by 2 of the boss’s henchmen. This horrified Terry, since he is the conduit through which Joey was called to his death.
Slowly things start changing due to the impact of a local priest who is trying to rouse the workers from their lethargy; and more so due to a slowly forming attraction between Terry and Edie (sister of the dead Joey). Both Friendly and Charles see this change starting to happen in Terry, but are unable to stop him. Over a period of time, Terry starts to feel his conscience starts to awaken and he starts to shrug off his sluggish nature. He in fact almost breaks with his brother by blaming him for the way his life had turned out (his brother had asked him to throw a match against another boxer and his life had taken a turn for the worse after that).
Towards the end, his brother is killed by Friendly because of being unable to prevent Terry from giving tetimony, and Terry goes ahead and implicated Friendly in the death of Joey. In a bruising scene after that on the waterfront, Terry fights Friendly and then his henchmen, and gets badly beaten up. However, he has the ultimate triumph when the other workers all line up behind him and throw off the fear of the union boss.

Goodfellas is seen as an iconic movie, taking the role of a mafia man (without getting into the role of a mafia boss as in Gangster) through 30 years of his file, from a childhood yearning to be a man of power and money, to a final stage of obscurity in the Witness Protection Program, a man hidden by the Government to keep him safe from former companions (who have been betrayed). After all, in the mafia, the code of silence, ‘omerta’ is one of the most powerful weapons and breaking that is liable to lead to expulsion and enmity (and enmity with the mafia means death).
The number of Italian-Americans involved in the mafia is a very small fraction of the US, but the influence on the crime scene, and the level of intrigue in knowing more about their criminal activities has always had a very strong attraction for the US movie market and for audiences (and hence the large number of successful movies detailing various elements of the mafia). Goodfellas is probably one of the best in the league, and has been counted as among the top 100 movies ever made.

The movie is based on a true story, about a small-time gangster of Irish-Sicilian origin (and hence not a true Sicilian, and hence never be able to be a ‘made’ member of the mafia. Unless you were a pure-blood Sicilian, you could never be a full member) called Henry Hill. Eventually Henry reached a situation where he squealed on his friends (or in legal parlance, he helped the police and FBI break up an organized crime gang) and had to be put in the Witness Protection Program for his own safety. This real life story was captured in Pileggi’s 1985 non-fictional book Wiseguy: Life in a Mafia Family.
Goodfellas depended on the acting capabilities of a few prime actors:
Robert De Niro playing Jimmy Conway
Joe Pesci playing Tommy DeVito
Ray Liotta playing Henry Hill
Lorraine Bracco playing Karen Hill
Paul Sorvino playing Paul Cicero
And, luckily for the movie, and for us, these actors delivered. To portray a good mafia movie, there has be to a certain inherent level of violence shown both in actual physical violence as well as being able to display a force through acting and dialogues, and it all seems to have come together. Goodfellas garnered 6 Oscar nominations in all (Best Actor in a Supporting Role, Best Actress in a Supporting Role, Best Picture, Best Director, Best Film Editing and Best Adapted Screenplay). It must not have clicked with the voters though, since it was able to get only one Oscar - Best Actor in a Supporting Role for Joe Pesci.
In a Italian-American neighborhood in the 1950’s, mafia members had a certain attraction for boys growing up due to the easy money and power they projected, and Henry Hill was one of the boys so impressed. Eventually, he quits school and goes to work for the local mobster Paul Cicero and grows up in this company, learning the ropes of theft. He gets help from Jimmy Conway (Robert DeNiro) and associates with a violent sociopath Tommy DeVito (Joe Pesci). They indulge in stealing cargo from the airport and make a pretty penny out of this racket. Henry also falls for a Jewish girl, Karen who initially is put off by him, but slowly gets intrigued by the mafia and the different life it entails for a member.
They (particularly Tommy) get more vicious, and eventually indulge in the ultimate sin, killing a ‘made’ mafia member without sanction, and hide the body so as to seemingly escape the responsibility and retribution. One of their activities in Florida (hanging a gambler over the lion cage in Florida zoo) gets them 4 years in the slammer, a period when Henry is left adrift by his friends and he has to start indulging in dealing drugs to stay afloat (and which also starts his downslide). When Henry gets out of jail, he continues to indulge in the profitable business of drugs despite Paul Cicero’s express disapproval.
The downfall of these gangsters continue - primarily displayed in 2 separate situations. In the first one, after a major robbery, Jimmy starts killing off his associates because they start flashing their wealth, something that could draw attention. And then Tommy is killed due to his role in the earlier unsanctioned killing of the mafia member, Billy Batts.
The day which changes Henry’s life occurs on Sunday, May 11th, 1980, when Henry is involved in many separate things. He has to coordinate a cocaine shipment, meet his mistress, get his brother from the hospital, cook a meal for his family, all the while when he is suffering from lack of sleep and an overdose of drugs; on top of everything, he is under federal surveillance. Eventually, he is arrested by the police; he is bailed out by his wife but the family becomes penniless as she had destroyed the entire cocaine shipment in the process.
Now Henry starts feeling abandoned, and not only abandoned, as being marked for elimination. He decides to turn approver, and break the code of silence. He and his family enter the federal Witness Protection Program, disappearing into anonymity to save their lives, but not before he testifies against Paulie and Jimmy in court.
The movie was a great review hit and earned around $47 million dollars, and also cemented Martin Scorsese’s reputation as a great director. Scorsese wanted to depict the film’s violence realistically, “cold, unfeeling and horrible, and that was the effect that the film’s critics and viewers got to see.