Religious issues tend to be very controversial, and if it concerns the founder of a religion, any depiction that deviates from the well-accepted view can provoke a number of feelings. And so it was with this movie, The Last Temptation of Christ (released in 1988), that sought to depict some events and theories that are not part of accepted Christian lore. For example, if a movie seeks to portray that Christ was not the son of God, or had a relationship with a woman and had a child, or did not die on the Christ, there can be a huge backlash. And so it was with this movie, which remains banned in some Christian dominated countries, and also provoked a backlash that was far more severe than the studio and the director (Martin Scorsese) expected. In recent years, there has been some acceptance of the movie’s portrayal of Jesus as one who confronts all the human weaknesses and overcomes for his vision; the movie sought to explore all the sentiments that would have driver such a person. In the end, the movie did not too well at the box office.
Scorsese had been looking to make a movie on the life of Jesus for many years, and had taken the film rights of the 1960 novel by Nikos Kazantzakis, even getting a screenplay for the movie ready by the late 70’s by Paul Schrader, and production was even planned in 1983 with Paramount as the studio. But by late 1983, the project was cancelled by the studio, and then Universal Studio took up the project again in 1986 with photography starting in 1987. The movie was entirely shot in the African country of Morocco.

The movie has many concepts that do not gel with standard Christian philosophy, such as the concept of Jesus making crosses used by the Romans to kill Jewish prisoners by crucifying them, by portraying Judas as a far more complex and positive character (obsessed with ensuring a revolution by the Jews against the Romans rather than the betrayer he is positioned in standard Christian philosophy).
The movie starts out with the internal conflict in Jesus, who realizes that God has some plan for him, but that he is also human. When he starts to make the crosses for the Roman army, he is branded a traitor by Jewish revolutionaries. Judas is sent to kill him, but he waits and watches Jesus’s message about love, and joins his ministry. Jesus starts preaching to people, saving the life of Mary (a prostitute) from a mob. Jesus is still working his way through what his aim in life is, and starts attracting disciples. Satan tries to sway Jesus 3 times, but each time Jesus refuses to get swayed. More events happen in the life of Jesus, but which convince him that the path of violence is not for him. He has asked Judas to get the temple guards to take him away, which happens after the Last Supper.
And then Jesus is put on the cross by the Romans since he is deemed a security to their current rule; and then the most controversial part of the movie. He is convinced by an Angel (actually Satan) that he is not the Son of God, and he should lead a normal life; where he meets Mary, makes love to her and then has a family. In the end, he is found by Judas near his death, who calls him a traitor, and that the angel was actually Satan. Jesus goes back to the cross, and then it is revealed that all this was a dream, and dies on the cross.

Taxi Driver is an iconic movie, one of the earlier movies by Martin Scorsese that made him famous (starting with the reputation he had gained by Mean Streets), and stars some of the same people from the movie. The movie was nominated for 4 Academy Awards, although it did not win any (it did win a Palme d’Or at the 1976 Cannes Film Festival). The movie is also famous for another more nefarious reason, being linked to a Presidential assassination attempt (when John Hinckley, Jr. confessed that he was obsessed with Jodie Foster’s role in the movie as the reason for his attempt to kill President Ronald Reagen in 1981). The movie was set in a now familiar location, the seedy parts and locations of New York, with the main character being tormented by various emotional issues, almost being self-destructive. In fact, the movie was shot during a heat wave in New York, and at the time of a strike by garbage workers. The movie won critical acclaim, but also became controversial due to the violence (and in fact, Scorsese changed the colors of the ending, making the colors desaturated to try and reduce the impact of the violence).

The movie is set in the year 1976, the same movie as the year of release, and set in the period after the Vietnam War, where there were a large number of veterans out from the war, suffering through all kinds of emotional trauma. This is the story of one emotionally distraught person, 26 year old Travis Bickle (Robert De Niro), who lives in Mahattan; he is not gainfully employed and covers that with his parents by claiming that he works for a government agencies where a lot of secrecy is required. In reality, he is lonely, out of work, and drives taxis in New York at night to cover his insomnia, and spends the days in porn theaters. To anybody who asks, he claims that he was a Marine during the Vietnam War, with a large VietCong flag and a scar as evidence.
He falls for a volunteer (Betsy (Cybill Shepherd)) for the election campaign of Senator Charles Palantine (Leonard Harris), who is running for President. He gets into the campaign office by offering to volunteer, and manages to get a coffee and movie date with Betsy, but blows up the romance by taking her to see a sex education movie, which offends her. She rejects his attempts after that. At around the same time, Bickle is getting more disgusted with the street crime that he sees around him, and starts to develop his body intensely. He also thinks about assassinating Senator Palatine, but drops the attempt when Secret Service agents notice him. At around this time, Iris (Jodie Foster), a 12 year old sex worker tries to use his cab to escape her pimp, but fails. When Bickle encounters her again, he gets focused on trying to save her from the clutches of her pimp Sport, and back to her parents. He gets him into more violence, including gunfire in which Bickle kills Sport (Harvey Keitel) and another customer of Iris.

In the early 1970’s, young director Martin Scorsese was still struggling to make his mark. At that time, just after the release of ‘Boxcar Bertha’, Scorsese had started displaying his talent, but it was the release of ‘Mean Streets’ in 1973 that moved the director much ahead in his career as a director. The movie, starring Harvey Keitel, Robert De Niro and David Proval, was made with the encouragement of directors such as John Cassavetes, Samuel Fuller, and Jean-Luc Godard, and was released by Warner Brothers. Based on his experience with Boxcar Bertha, Scorsese had learned how to make movies at low cost, and Mean Streets was also a low budget movie, costing only around $500,000. This was one of the first movies that Scorsese made after being told to make movies in the style he wanted rather than make movies for somebody else, and the movie established his signature style (macho men, lots of violence, emotions based on Catholic notions of guilt, and a soundtrack based on rock). The movie is set in a gritty location in New York, again like many of his other movies. Scorsese was originally planning to make the movie called as ‘Season of the Witch’, but he later changed this to ‘Mean Streets’, based on a line from author Raymond Chandler’s novel ‘The Simple Art of Murder’.

The movie was very close to Martin Scorsese, since this was based on events that he used to see everyday in the areas of New York in which he lived. The end result was a movie that earned critical acclaim, with movie critic Pauline Kael being very enthusiastic in support. The movie also earned De Niro an award (not an Oscar though) as Best Supporting Actor for his role as the destructive guy who increasingly heads towards destruction inspite of the efforts his friend Charlie. Charlie in turns plays the role of an Italian-American who is a wannabe mafia member, and who acts as a debt collector for his uncle Giovanni. He also has an ongoing affair with Teresa, who is Johnny Boy’s (De Niro) cousin.
The meat of the movie is about the conflict that Charlie faces, with his devout Catholic faith (with its concepts of good vs. bad, redemption, and guilt) versus his ambitions of making it big in the mafia (in direct conflict to his Catholic faith). How does Charlie resolve this dilemma ?

Agatha Cristie had started with her first book published in 1920 (The mysterious affair at Styles), and wrote a number of books during her career. 2 of her main characters were the detectives – Hercule Poirot and Miss Marple, but she also had novels that did not have these 2 characters. One of these was an early book of hers, called ‘The Secret Adversary’, published in 1922. The book introduces the character of Tommy and Tuppence who also features in other novels of hers. The book met with praise from critics on its release, and was later turned into a movie released in 1929, and also into a TV drama. One small problem was the book that there were a lot of cliched characters in the book, with many characters being obvious villains. The book was set in 1919 in London and other locations in Britain. It depicts a young couple Tommy Beresford and Prudence “Tuppence” Cowley, who offer themselves out as adventurers, since they have no money and no work. And there starts the adventure.

They soon find themselves stuck in a political and spying game, when they use the name of ‘Jane Finn’ for Tuppence; using this name Tuppence is rejected for a job (and they had over-heard this name in a conversation earlier); a person named Whittington hears scraps of their conversation and believes that they are blackmailing, and pays them some money for them to stop using their information (information that they do not possess). However, when they realize that they can get more information from Whittington, they find that he has vanished. Knowing that the name of ‘Jane Finn’ seems to be causing this search, they put an ad in the paper with the same name, and get a response from a Mr. Carter, who tells them the background to what Jane Finn actually was, and the significance of the name to intelligence agencies. They are contacted by more people, including police officials (and they realize that they had also been contacted by a villain earlier). The rest of the story is about contact with these secret agencies, with bolshevik agents out to topple the British government, and so on.