The late 60’s and early 70’s was the time when Martin Scrocese was making his initial movies, the time when he started to develop a reputation. It was a lesson for the young director, imparted by producer Roger Corman, who had helped other directors such as Coppola and James Cameron to also start their careers. Corman used to be able to guide directors to make movies that cost very little movies, and the same was true of this movie, Boxcar Bertha, which was made with a very low amount of 600,000 (a very low amount of money for a movie), and was a good lesson for Martin Scorcese. The movie is apparently based on a book called ‘Sister of the Road’, a biography of Bertha Thomson, who went onto to do train robbery at a time of the 1930’s (written by Dr. Ben L. Reitman). However, the movie and the book were certainly different in terms of the story; with the movie being made to capitalize on the ongoing craze for movies in the ‘Bonnie and Clyde’ style. The movie, being depicted in the American South of the 1930’s, you get a look at the prevalent issues related to the situation regarding racial differences, as well as issues related to gender.

The movie has as the main characters, Bertha Thompson (played by Barbara Hershey) and “Big” Bill Shelly (played by David Carradine). Bertha is a typical character of the depression era, an orphan, who was also a robber, being a typically charming woman, accompanied by 3 other members of her team, a union organizer (Bill), a con man from New York (Barry Primus) and a mechanic fond of the blues (Bernie Casey). Even though the movie is set in the 30’s, you get a feel for the early 70’s environment in the movie, with characters tending to adventurous, free spirited and criminal, but not more so than the tie-striped bankers and lawyers. The movie was worth watching because of the effort put in by Martin Scorsese, and these efforts are visible in the movie.

The story of Al Capone, and the mafia as such, is a popular story with dramatists. There have been numerous books and movies that deal with the story of gangsters, and many of them have been exceedingly popular. The story of Al Capone, his rise, the terror he inflicted on society, the way he fought his way to the top, his exploitation of Prohibition to smuggle alcohol, all these were part of his mystique. What was equally remembered about him was the St. Valentine’s Day massacre that he committed on his rivals, first disarming 7 of them using his men in police uniform, and then using Tommy guns on them. Equally remembered about him were the efforts of the Government to bring him down (even when Chicago and neighboring towns were controlled by his men, with the police and officials on his payroll), and how we was brought down on a charge of tax evasion rather than for the numerous crimes he committed. The jail term on him was a stiff one, and effectively broke his empire.

Brian De Palma made 4 gangster movies, these 4 being Scarface, Wise guys, Carlito’s way, and The Untouchables. The other 3 movies were all about the gangsters, while The Untouchables takes the action from the perspective of lawkeepers, the persons out on a mission to capture the gangster, even when they have to follow rules and laws, while the Gangster can use any kind of force, can subvert the authorities, and threaten whoever they want. The Untouchables is the real life story of the people who managed to break the power of a mob lord against all these factors, and the methods they used (who would have believed that you could send a gangster to prison for tax evasion rather than for the various crimes!).
The movie is based on a subject that has been created earlier as well, and is essentially based on the autobiography of Eliot Ness. Eliot Ness was the agent who was sent to bring Al Capone to justice, and to free Chicago from his destructive and criminal ways. The movie starred Kevin Costner, Sean Connery, Robert De Niro and Andy Garcia. Sean Connery won a best supporting actor Oscar for his portrayal of the Irish American cop Jim Malone. The movie does not fully present this as a good vs. evil fight, also portraying the parts where Capone showed support for the poor by running soup kitchens and other similar efforts, as also the role where Ness actually throws a hood off the roof of a building rather than bring him in for justice.
The movie is well choreographed, with the scenes bringing out the drama. The scene right at the end, where the juries are switched is gripping, especially if you don’t know the story. An eminently watchable movie.

http://en.wikipedia.org/wiki/The_Untouchables_(1987_film)

The title above may seem like it is describing a man fighting for justice for himself, but in fact, the story is about a man fighting to get proper justice for an accused. In the United States, decisions for criminal cases are supposed to be evaluated by a jury made up of fellow citizens, who listen to the evidence, and its presentation by the prosecutors and by the defense; in the end, the jury has to reach a verdict that the judge follows. The movie hinges on the fact that for serious crimes, the verdict of the 12 member jury has to be unanimous, and if even one juror objects and does not agree to a unanimous verdict, the jury is called a hung trail, with the case being declared as a mistrial. There is pressure on the minority jury members to reach a verdict, else the jury has to sit for as long as it takes to reach a verdict; it is only if the foreman reaches a decision that a unanimous verdict cannot be reached, does the jury get dismissed.

The movie is about the murder trial of a teenager from poor and disturbed circumstances, who is accused of killing his father. The presentation of evidence is over, the lawyers have made their arguments, and the jury is now deliberating on the judgment. They have been instructed by the judge that they need to reach a verdict of whether the defendant is guilty of murder or not, and if they do reach a verdict of guilty, then the defendant will be sentenced to a mandatory sentence of death.
When a quick vote is taken, it is found that 11 of the jurors (all 12 are white men) are in favor of a death sentence, only Juror # 8 (Henry Fonda) does not vote guilty. In fact, Henry Fonda is not sure about the guilty or not, but believes that some of the evidence presented is circumstantial, and that the jurors must do a fair deliberation before judging the accused to be guilty (and sending him to his death). And thus, you have an excellent movie where you can see the mood of the jury (and individual jurors), as they go through the evidence, deliberate, and review their vote. Jurors change their votes depending on the evidence they hear during the discussion, with a few of them reversing their votes, and one of them voting guilty only because he is bigoted. Eventually, all of them change their vote to Not Guilty.
The movie was based almost entirely in one room, through the deliberations by the jury members, excepting for a couple of scenes in a washroom, and beginning and closing scenes on the steps of the courtroom. The movie did not so well commercially, but has now been recognized as a classic movie, with the role of Juror # 8 being one of the top 50 heroes.

The death penalty has always been controversial, the debate over whether society and laws have the moral and ethical right to take another person’s life. There are a large number of countries where the death penalty no longer exists, with the major nations where the death penalty still holds being Russia, China, India, United States, Iran, Saudi Arabia (and other Islamic countries), Singapore, etc. In the United States, the debate has been a long one, with many people being strong proponents of the death penalty, and others arguing against it (this is getting more heated now that DNA testing is revealing wrongful convictions, link to Innocence Project).
Dead Man Walking is based on a book of the same name by Sister Helen Prejean, a Roman Catholic nun, a passionate advocate of abolition of the death penalty in the US. The title of the book and the movie comes from the traditional saying by guards walking the condemned man to his execution, “Dead man walking, dead man walking here”.

The movie (directed by Tim Robbins) won great critical acclaim, and was nominated for a number of Academy Awards. It deals with the story of Matthew Poncele (played by Sean Penn – and based on 2 different characters whom Sister Helen Prejean counselled, both of whom were on death row. In the movie, Matthew has been in prison for 6 years now, awaiting his execution for the crime of having killed a teenage couple (after having raped the girl); his accomplice Vitello was sentenced to a lighter prison sentence due to a better lawyer.
Matthew appeals to the Sister to help him in his final appeal; and he is not the image of a repentant person – instead he comes across as both arrogant and sexist, and with not the slightest tinge of remorse. Instead he claims to be innocent. While visiting him over a period of time, she gets to know his mother, as well as the family members of his victims (who cannot understand her motives for trying to save a convicted murderer). Poncele does not get remission, his appeal for denial of execution is denied, and his date for death is set. Sister Prejean will finally hope to save his soul, for him to confess his deeds. In the end, Matthew does indeed do so, confessing his crimes and pleading for forgiveness from the family members of his victims (just before his execution).

Oscars:
Susan Sarandon won the Academy Award for Best Actress for her role.
Sean Penn was nominated for Best Actor in a Leading Role
Tim Robbins was nominated for Best Director
Main track, “Dead Man Walkin” by Bruce Springsteen nominated for Best Song