Psycho (released in 1960) was arguably Alfred Hitchcock’s most famous movie, and acknowledged as one of the best movies of all times. The movie set new standards in the field of horror movies, something that slasher movies later have found it difficult to emulate. This was also a movie that Alfred Hitchcock wanted to use to establish his reputation, especially when ‘Vertigo’ had failed 2 years earlier (neither the critics nor the audience gave it much of a reception); and the story of a murderer (a novel by Peter Bloch) was something that appealed to him. He had not made such a movie in the past, although he had made his name in suspense, and the making of a movie of the genre of a psychotic murderer would be a different movie.

To that extent, the story of Psycho was something that Hitchcock guarded to a very high degree. Even the film rights to the novel were bought under a different name so that viewers would not guess the twists in the story. This quest for secrecy manifested itself in several different ways. Hitchcock forbade most promotion on the usual media – television, radio, and print interviews so that there was no fear of revealing the truth. In addition, critics were not allowed the usual private screenings, but had to see the movie with the general public, so that the plot remained secret (even though preventing the critics from their screenings might cause reviews to be not so positive).
The movie also struggled on a different front. The studio for which Hitchcock was supposed to make another movie, Paramount, was not happy with the script or with the thought of Hitchcock making this movie. They did not believe that the script was suitable for a movie, and in fact, such a movie was essentially a pet peeve for Hitchcock. Accordingly, his usual budget was denied, causing Hitchcock to raise money on his own and cut costs. He hired his regular staff, managed to get the lead star Janet Leigh for much less than her regular fee; the overall budget was less than a million dollars.
The movie was reviewed poorly by critics, but turned out to be a major commercial success, earning some $32 million overall. Since the movie was produced by Hitchcock’s company, his share of the profits was much greater than one would have expected otherwise. The success of the movie led critics to change their views, do a re-review, and the movie earned a total of 4 Oscar nominations.
The movie is a gripping psycho drama, with a shower murder scene that is one of the most famous scenes ever; this scene has been copied and parodied many times. There has been countless research done over the decades to evaluate as to why the scene has had such an impact to users; as an aside, it has been popular lore that the scene impacted the actress Janet Leigh so much that she found it difficult to take a shower after that.
The movie is set in a out-of-the-way motel called Bates motel. It is run by the young man called Norman Bates (Anthony Perkins) who lives with his ailing mother. And who arrives to this motel ? The lady on the run, Marion Crane (Janet Leigh). She is in love with Sam Loomis (John Gavin), but both of them do not have much money. They are in dire need of money since Sam is in debt and also has alimony payments to an wx-wife that are ongoing. Marion steals $40,000 from the office in Phoenix, Arizona that she works in (she is asked to deposit the money in the bank, but she runs off with the money), and wants to drive to the town in California where Sam works.
She is suspicious, wondering about whether the police is after her; in this state, she even changes her car to try to throw pursuers off her track. In this state, she finds a motel on the way, and is persuaded to stay there. She finds Norman Bates a bit strange, but nothing prepares her for her end. When she is showering in her motel room, an apparently elderly woman attacks her and is stabbed to death (with a powerful musical score playing in the background).
Norman finds the corpse of Marion, and in order to protect his mother, he dumps Marion and all her belongings (including the car) into a nearby swamp. However, it is not the end; a private detective Milton Arbogast (Martin Balsam) is hired to find Norman. He manages to find the Bates motel, and starts to question Norman who gets all nervous. He meets the same end as Marion, being slashed to death by Norman’s mother after being pushed down the stairs. When Milton does not report back, Marion’s mother Lila and Sam get concerned and contact the sheriff. When the sheriff is told about Norman’s mother, he is surprised since Norman’s mother had died 10 years back.
Sam and Lila investigate further, and slip into the motel. They find a slip of paper talking about the money that Marion was carrying ($40,000), and so decide to confront Norman’s mother. Lila is tasked with talking to the mother, while Sam would divert Norman. However, Norman soon has a fight with Sam and knocks him out; Lila is shocked when she discovers the preserved body of Norman’s mother; and the secret is out – Norman is wearing his mother’s clothes when he comes with a knife to kill Lila. Sam arrives just in time and knocks Norman out.
In the end, a psychiatrist explains the truth; Norman and his mother lived together with no one else. So when Norman’s mother took a lover, Norman killed them both, and then tried to erase the guilt by preserving her body, and acting as her (in a classic case of split personality). In this reverse state, the split personality is jealous of any woman to whom Norman comes in touch with, and kills such a women. His psychosis prevents him from realizing the enormity of his crimes. Norman lands up in a cell, his mind dominated by his mother. In this alter ego, she believes that she is harmless and Normal is responsible for her current state.

Predator was the first movie of Arnold Schwarzenegger that I watched, and it was a fairly impressive movie from an action perspective. The movie was made in 1987, and starred an extremely impressive creature, whom one is sure could scare the daylights out anybody stuck in a jungle.
The movie story is deceptively simple. There are a group of commandos on a rescue mission, but not told the real story. In a jungle, they start to sense something wrong, and find the bodies of the earlier team. What they eventually find is the Predator, a creature who hunts humans using some special weapons, beyond human-vision perception, and a stealth that is incredible (invisible is a good way to fight). He starts picking off the commandos one by one, killing them in different ways, until it’s only Arnie.
The finale is about how Arnie manages to extricate himself from the clutches of the Predator, and flees from there.
The movie is a taut piece of work. The way that the sequence in the jungle leads to the point where they suddenly see the Predator (and then don’t), the terrific scene where they try to bait the Predator ending in an incredible scene where the whole group fires a massive burst into the jungle, the fear on the girl’s face, and the scene at the end where you know that the Predator, even when dying, is upto no good. This is all edge of the seat action, and the movie is a must see.

I have always thought that because these books are so popular, there would be a large number of reviews, and I am sure that there; but these first 6 books have been out for quite some time and I have enjoyed reading them, so thought about writing this review for the first 6, available in a boxed set for all the 6 books available in paperback (the last one, Harry Potter and the Deathly Hallows is only available in hard cover).
Most people know the story of the author, JK Rowling, when she was a single mother in hard times and wrote these books when she would be sitting in a coffee house. It makes these books all the more special because of these circumstances. Most kids I know, and a lot of adults (including me), really like these books and the way that the story pans out. It gets progressively darker with each book, but I would still recommend this for children to read.

The collection contains the following books with their release dates:
1. Harry Potter and the Philosopher’s Stone (26 June 1997) (titled Harry Potter and the Sorcerer’s Stone in the United States)
2. Harry Potter and the Chamber of Secrets (2 July 1998)
3. Harry Potter and the Prisoner of Azkaban (8 July 1999)
4. Harry Potter and the Goblet of Fire (8 July 2000)
5. Harry Potter and the Order of the Phoenix (21 June 2003)
6. Harry Potter and the Half-Blood Prince (16 July 2005)
The books have been evenly spaced in their release, keeping most fans waiting with nervous excitement, only to be replaced by a buying frenzy when the book (after the first one) was finally released. I was initially skeptical, but then I read the first book around the year 2000, and then bought the others as they were released, being a firm fan after that.
For me, even when you describe the events as happening in a magical world, with dragons, wizards, witches, etc., overall the concept of emotions in the life of Harry Potter and his close friends Hermione Ganger and Ron Weasley seem to ring true and lifelike. You find yourself engrossed in the book, and actually involved in their life in terms of wishing for good things to happen to them.
The concept of camadrie and friendship described in the book are worthy to be emulated, also the parts of how the close-knit Weasley family (with the exception of Percy) stick together supporting each other. Even the attitude of Harry in terms of dealing with various types of animals in terms of caring for them is a positive attitude for growing up children. And his feelings for the opposite sex and how he lives with these feelings as he slowly matures was pretty tender reading.

I guess more people would have seen the Godfather movies rather than read the book; but let me start by saying that this is a great book. The book is a fairly gripping book, establishing both the history of why the godfather became the godfather (Vito Corleone), and also the birth of the next Godfather, Michael Corleone. It does meander a bit in between when trying to explain various things, but overall is a very taut book.
The book takes the Corleone family, one of the 5 mafia crime families and the tensions between them. The book explains the motives and the development of characters for some of the main characters of the book, Vito Corleone, Sonny Corleone, Michael Corleone, Connie, Kay (Michael’s wife), Tom Hagen, and a few others, but whose characters are not so well developed.
The book also explains numerous mafia activities to people who may not be well-enough acquainted with some of these terms, terms such as button man, hitting the matresses, omerta, La cosa nostra, etc.
The story explains how a poor Italian immigrant, a man of quiet nature, but internally a very powerful individual, slowly starts to be seen as a man of power, a man of stature and one who can influence things. He can get his people justice, deferment from the army, rough justice against anyone who has harmed them and so on. While reading this book, it would not seem strange at all that all these activities are illegal , they just seem natural. Slowly, he starts to build an empire consisting of political connections, book-keeping, races, and many other vices including the illegal running of alcohol. However, even such people have their own scruples, such as being against prostitution and drugs.
And this is what brings him down and decides the rest of the book. Vito refuses help to another family seeking to expand in the drugs field, and provokes an assassination attempt in which he is injured, and which brings his violent son Sonny into the field as the interim leader (his other son Michael is outside the family business, being a decorated soldier). Hence, in a quirk of fate, Michael gets involved, kills 2 people and escapes the country. In the ensuing gang warfare, Sonny is killed and Vito Corleone, The Godfather, gets up from his sick bed in an attempt to ensure the safe return of his son Michael back.
Vito makes a deal in which he accepts Sonny’s death and foreswears all vengeance (although he is perceived as weak due to this lack of revenge) in order to get Michael back. The aim of course is long-term, to get Michael to take the revenge after setting him up as the Godfather. The latter part of the book is about this effort; how Michael gains the power of the family, how he turns from being a loyal American to the head of a major criminal family, and how he eventually carries out the revenge (by killing a number of the opposition families leaders, and also killing his own brother-in-law for the role he had in getting Sonny killed).
It is only at the end where the author puts a touch about that these people are bad people, when you see that the women of the family are praying for their souls. The book also depicts women and the African-American community in a bad light, thus depicting the inherent racism of the Italian (and maybe others) community as of that time.