The Battleship Potemkin is a classic Russian movie, released in 1925. It is a silent movie, also known by another name ‘he Battleship Potyomkin’ as well as by the Russian name of ‘Bronyenosyets Potyomkin’. The movie was directed by Sergei Eisenstein, and was based on the real life story of the actual crew of the Russian naval ship of the same name during 1905, oppressed by the naval officers of the Tsarist regime that was ruling Russia around that time.
The movie has been so famous that the history of the ship is defined more by the movie rather than by history books. The movie was famous also for its graphic violence (not seen in movies of that time) as well as to be a propaganda movie to get sympathy for the crew of the ship. This attempt worked so well on viewers that the Nazi propaganda spinner, Joseph Goebbels, was very admiring of the movie for its attempt to sell a political story in a simple yet powerful way.

The zeal of the movie director to sway audiences imparted a revolutionary approach that caused the movie to run afoul of sensors in many countries, with the movie either banned or scenes cut; it was only over a period of time that the movie was restored with cut sections to audiences all over. The movie had some classic scenes, but the most striking was the scene of the Czar’s Cossack soldiers marching down steps (the Odessa steps) and firing into the crowd of civilians who had come to watch the ship arrive.
The movie takes the true story of the rebellion on board the Russian naval ship Battleship Potemkin in the year 2005. There was discontent against the oppressive officers of the Tzar, and there was a plan to have an uprising. However, the uprising was started earlier on the battle-ship when the sailors protested against having to eat maggot infested meat that the ship’s officers and doctor had certified as being fit for human consumption. This was the first element of the movie, with the movie being essentially divided into 5 parts:
1. Men and maggots
2. Drama at the harbour: The sailors rise up and their leader, Vakulynchuk, is killed
3. A dead man calls for Justice: The civilians at Odessa mourn the dead
4. The massacre of civilians at Odessa where the Czar’s soldiers kill the civilians on the steps
5. “The Rendez-Vous with a Squadron where the squadron joins the sailors instead of crushing them
After the mutiny, the sailors go different ways. The ones who returned or were induced to return were executed or jailed, and the others went to different countries such as Romania, Argentina and Ireland.

This is another great movie by Frank Capra; one that is not so famous right now, but very famous and controversial in its time. Because it was about corruption in Washington, in the seat of Government and in the legislature, the Washington Press and Congress members labeled the movie as a movie pandering to Communist interests and against American interest. This was not only a US politician reaction, with the other dictatorships (Nazi Germany, Stalin’s Soviet Union, Fascist Italy and Spain under Franco) all banning the movie as well. Other countries took liberties in the dubbing of the movie to alter the tone of the script and the dialog.
The movie was well-received (it got 11 Academy nominations after all – not a small number by any standard, although it did not win any of the major ones, and in fact won only one Academy award, for Best Screenplay).

The movie was released in 1939, and starred James Stewart in the lead role (the movie also had the effect of giving a major filip to his career); it had some well know stars of that era such as Claude Rains, Edward Arnold, Guy Kibbee, Charles Lane, and Thomas Mitchell. The movie was based on a novel called ‘The Gentleman from Montana’ (by author Lewis R. Foster), with the script of the movie written by Sidney Buchman.
The movie is about a guy called Jefferson Smith (James Stewart), who is the head of the Boy Rangers and seen as a non-corrupt guy. When a senator for a US state (the state is not specified in the movie) dies, the Governor, Hubert “Happy” Hopper (Guy Kibbee), has to balance between the public demand for a honest person to be the next Senator vs. the demand from the political chain to have another corrupt and connected politician. Eventually, the Governor decides to select Smith to be the next Senator; soon, he is condemned by the Washington Press as not being like a Senator, more of a bumpkin.
Goaded into making a name for himself, Smith decides to float legislation for getting Government money to buy land for a boy’s camp, with the money coming in from donations by kids all over America. Unknown to him, politics and corruption is already involved in this bill. Soon, things are manipulated such that Smith is soon shown to be owning the land, and Smith decides to run away. However, he is beseeched by his formerly cynical aide / secretary to try and do a legislative tactic called a ‘filibuster’ (wikipedia) to stall the vote to expel him. He tries to stay the course, and starts drawing support while he is talking non-stop (and the political opposition clamps down on the media to prevent his statements from being displayed). His tactic is to continue speaking, and he does so to the point of exhaustion; when he faints, the Senator who had manipulated him, Senator Paine, has remorse and confesses all.

The Metropolis was a movie that was seemingly way ahead of its time. It’s a movie about the conflict between the rulers (the technologically advanced class) and the the workers who toiled to provide for it all (and who were seen as the subjugated sections of the population). Metropolis depicted this scenario, set in the year 2026, with hugely futuristic settings. The movie was not something that is easily viewable in its original creation – it was deemed too long (at 210 minutes), ruthlessly chopped and modified for multiple reasons (whether to it into the 90 minutes allowed by theatre owners, or because parts of the subject were deemed too controversial in the United States, or because the sound era started soon after and the movie was adjusted in terms of frames per second to fit into the sound compatible format). In addition, parts of the original movie were found in Argentina, and parts of the original movie were never recovered.

The movie was made in Germany, as probably one of the earliest great science fiction movies, made by Austrian-German director Fritz Lang and one of the most expensive movies of that era, costing around 7 million Reichsmarks at that time (approx $200 million as of now). The movie was written by Lang and his wife Thea von Harbou (in a twist, the movie was praised by the Nazis, and Thea soon became an ardent Nazis; she and Lang finally divorced in 1934).
The society of 2026 was divided into 2 rigid groups with the planners living in luxury, and the workers toiling underground in pretty bad conditions. The skyline has plenty of Gothic style skyscrapers (probably inspiring the Tyrell towers in the classy Bladerunner made much later). The city is run by Johann ‘Joh’ Fredersen (Alfred Abel), who looks for ways to ensure that the workers remain in their conditions. However, there is a charismatic and beautiful lady, Maria (Brigitte Helm), who advises the workers against trying for a revolt, and instead wait for the arrival of a figure known as the ‘Mediator’. It is the Mediator who will bring together these 2 separate sections of society and improve the conditions of the workers. She has an admirer, Frederson’s own son, Freder (Gustav Fröhlich), who is disgusted at the conditions in which the workers toil and live, and joins Maria’s cause.
And then starts the true future. The scientist and old rival of Fredersen, Rotwang (Rudolf Klein-Rogge), builds a robot in the shape of Maria. He uses this robot to first preach discord in the young rich men of Metropolis and then descends to the underground sections where the robot inspires rebellion in the workers. In this rebellion, they destroy the important ‘Heart Machine’ and then realize that the destruction in turn causes the flooding of their own quarters. They chase Maria, and burn her, and then realize that she is a robot. The real Maria is chased by Rotwang, and followed by Freder, and in the climatic end, Rotwang falls to his death; and Freder carries out his destiny of being the Mediator by uniting Frederson with the workers.

Frank Capra directed a number of movies, and one of his movies that has been marked as a great movie, one that has been remembered for quite some time is ‘Meet John Doe’, released in 1941. Frank Capra had a certain style to his movies, and a lot of his movies showcased qualities such as the basic element of human goodness, hard work and being good to others (also translated as being unselfish); such a concept is very rarely seen in modern age movies that tend to show a large portion of life as having all human emotions including the negative ones, and fewer roles tend to be fully white, more like everybody having shades of grey. Some of the other famous movies by Frank Capra include ‘It’s a wonderful life’ (1946), ‘It happened one night’ (1934), and many others. The movie did not do well at the Academy Awards, being nominated for Best Original Story.

This movie is slotted as a comedy, but it actually takes a hard and cynical look at both the newspaper business and at politics. The movie principally stars Gary Cooper, Barbara Stanwyck, and Edward Arnold. Barbara is a newspaper columnist, Ann Mitchell, who has just been fired, and angry, prints a fake letter from a ‘John Doe’, who claims that he is unemployed and threatens to commit suicide against the various ills of society. This letter catches the emotional thread of many many citizens, and becomes very popular. As a result, Mitchell is forced to continue the tale (in the process having got her job back), and to make sure that the story has some legs to stand on, they hire a vagabond and former baseball player, John Willoughby (Gary Cooper), to tour the country.
This movement becomes popular, drawing in support from all over, and is financially supported by the newspaper’s publisher, D.B. Norton (Edward Arnold), who recognizes that such a movement could be a potent political weapon and aims to use it for his own fledging political aspirations. John soon discovers that he is being used, but before he can expose this whole scam, he is in turn exposed by Norton who claims that he was unaware of the scam.
Driven by frustration, John plans to commit suicide by jumping off City Hall (as claimed in the original letter); but what happens ? Does he commit out the actual suicide, or do the John Doe clubs manage to get him to back off ?