The Hustler (released in 1961) was a movie ostensibly about a pool game, about the efforts of a talented pool player to defeat the reigning pool champion, about the tribulations that he had to suffer in this process, including the losses. In reality, The Hustler is now defined as a movie defining the character of a person, the winning and losing that makes up the character. The movie is classified as a classic movie, continuing to rate positive reviews. The characters look like real characters, with their anguish, their weaknesses, their obsessions, and how they shrug off adversity in the face of an ambition. The movie also benefited the game of pool to a very high degree, since pool was declining in popularity for decades; but the movie had a big role to play in pushing the popularity of the game into reverse direction, making pool popular again. The movie is now compared with the later ‘The Color of Money’, but while the later movie is more smooth and polished, The Hustler is a much more raw look at human emotions, about what makes a person win or lose. The Hustler got a number of Oscar nominations, 9 in all, and won 2 (Best Art Direction-Set Decoration, Black-and-White (Harry Horner and Gene Callahan) and Best Cinematography, Black-and-White (Eugen Schüfftan)).
Newman was nominated for Best Actor role, but did not get the award, instead getting it decades later for a role that was a continuation of the movie, The Color of Money (with some critics calling the Oscar award as a recognition that he should have got the award for the Best Actor role for The Hustler).

The movie was based on the 1959 novel (of the same name) by author Walter Tavis, and the book was adapted by Sidney Carroll and Robert Rossen for the movie, with Rossen directing the movie. The main stars of the movie are Paul Newman as Eddie Felson, Jackie Gleason as Minnesota Fats, Piper Laurie as Sarah and George C. Scott as Bert.
The movie is the story of “Fast Eddie” Felson (Paul Newman), who is traveling with his friend Charlie (Myron McCormick) chasing “Minnesota Fats” (Jackie Gleason), a famous pool player. He meets Fats at Fats home town, and they agree to play for money. Eddie is ahead, but gets carried away and refuses to quit even when Charlie asks him to quit; then a professional gambler Bert Gordon (George C. Scott) is called over by Fats, and he diagnoses Eddie as a loser, without character; and sure enough, by the time that everything is through Eddie has lost everything except for $200.
Eddie meets an alcoholic girl, walking with a limp, Sarah Packard (portrayed pretty well by Piper Laurie); she refuses to take him in initially, but after they meet again and again, she lets him into the house. Eddie continues to hunger to challenge Fats again, and Charlie and Eddie have a face-off and then separation. And then Eddie ties up with Bert, who agrees to back Eddie in return for a 75% take from the returns. And then Eddie will challenge Fats again, but at what cost to Eddie ?

The Murder on the Links was a book, written by detective write Agatha Christie, published in 1923, and starring Hercule Poirot and Hastings. The book was like many of Agatha Christie’s books, written with the current societal conditions of that time, and with a large number of characters in the book. With these characters and the complexity of the plot, it was hard to make a guess as to who the actual villains are; another notable part of this book was that Hastings sort of broke with Poirot midway during the book, when it started becoming clear that a woman that Hastings loved, Dulcie Duveen, could be a suspect. At one point Hastings physically held down Poirot and let Duveen flee; but Poirot does not get side-tracked, and at the end, Poirot brings them together again. The book was more French based than English, with the crime being committed in a French location, and the investigating magistrate and detective both being French. Interestingly, this book was dedicated upon its release to her husband Archibald Christie, who later acquired a lover and divorced her a few years later.

The book starts with Hastings falling in love with a bright vivacious girl (who seems to ignore him to some extent as an old fashioned person); he tells Poirot about this when they meet, and then Poirot gets a wire (among the many mundane pieces of mail that he gets including requests to find lost dogs) from the South of France asking for help from a Monsieur Paul Renauld. Poirot is interested and decides to go there along with Hastings; they reach the villa Villa Genevieve in Merlinville-sur-Mer on the French coast where they discover that they are too late; Monsieur Paul Renauld is already dead. He was killed just a few hours ago and left in a shallow grave.
He was killed after 2 masked invaders came into the home around 2 AM, tied up his wife, and took him away wanting to know a secret, and then they killed him. However, apparently the door was open and there was no sign of forced entry. Their son Jack had been sent away on business, and there were three female servants in the house. And there is a French investigating magistrate, as well as a egoist French detective.
The story involves ladies who used to visit Monsieur Paul Renauld at night, a decades old murder crime, a fight between father and son, an altered will, an apparent second murder, a missing weapon, and many twists in the story. Read the book, it is pretty interesting.

The Hustler was a film released in 1961, starring Paul Newman in the role of the pool hustler Edward “Fast Eddie” Felson. Then in 1984, a novel was published with the title of ‘The Color of Money’, based on the same character, and with the story of the continuation of the life of Felson. After a period of 20 years, he is back into the pool world; and like many such sequels, the only continuation of the story is in terms of the same character, without needing to watch the previous movie. The novel was written by author Walter Tevis; and he was hired to write a screenplay for a movie based on the novel; and then the screenplay was not used at all. Instead the movie finally used a new screenplay (written by Richard Price); and if you have seen the movie ‘The Baltimore Bullet’, you will find many sub-plots to be similar (The Baltimore Bullet was a pool comedy released in 1980). The Color of Money is an interesting title, and seems very logical if you consider that a dollar note is based on a green background, and so is the color of the cloth used to cover a pool table. The movie was directed by Martin Scorsese and also starred, besides Paul Newman, Tom Cruise, Mary Elizabeth Mastrantonio, Helen Shaver and John Turturro.

Scorsese also appears in 2 cameo instances in the movie, once while walking a dog, and playing pool in the other instance. The movie also included many real life top pool players from the 1980’s with them having small roles. The movie is not only about pool, since pool is only the instrument, it is actually about human behavior and what drives people, and if you were to compare the pool shots with the earlier, “The Hustler”, you would find the quality of pool shots to be much better in the previous movie.
Newman is no longer in the game, but at heart, remains connected to the game. He is now a liquor salesman; but then comes across a brash cocky young kid, Vincent (Tom Cruise), and decides to take him on the circuit, teaching him how to hustle money, which makes for interesting viewing, since you have 2 people with egos against each other and having to work with each other. And you have seen what happens after this in numerous movies, where the protege moves away the mentor (with his own brash confident manner combined with the influence of the girlfriend) and then they have a show-down with the game (you see this in the Rocky movie where Rocky promotes a kid who moves away from him and they have a final street fight); and then he learns that Vincent really did learn the full contours of making money, including when to fold and when to win.

From viewing Martin Scorsese’s movies, it would seem that Robert De Niro was a perpetual favorite of Scorsese, so when he would make a movie without De Niro, it was always a surprise, like the movie After Hours, which was the first movie in a decade by Scorsese that did not star De Niro. Martin Scorsese was not supposed to be the original director for this movie, which was based on a screenplay that Joseph Minion wrote (given that he was only 26 years old when the movie was made); the screenplay was wrote when Minion was doing an assignment as part of a film course at Columbia University. The movie also faced a court case after release since the radio host Joe Frank claimed that the screenplay and parts of the dialog were based on his radio monologue (and there was a settlement in which he must have got a good settlement). The movie was a fairly low budget movie, costing around $4.5 million to make, and made around $10 million; and of course, like many other movies, this was not very acclaimed when it was released, and only later was classified as a cult movie.

The movie deals with the sudden happenings in the life of Paul Hackett (although the night finally ends with everything turning out okay in the end). He meets a lady called Marcy Franklin (Rosanna Arquette) while in a cafe and they discover that they have a common interest in Henry Miller. They exchange phone numbers, and Paul also gets to know that Marcy lives with Kiki Bridges (Linda Fiorentino) – a person who sells Plaster of Paris paperweights. Paul is interested, and goes to meet Marcy, but he loses his $20, and has no money left to pay the cab, which of course means that Paul has to face the hostility of the cab driver. And then in the apartment, Paul comes across some photos of Marcy which imply that she has serious burns; he leaves soon after, with the would-be-relationship between them ending, and then he learns that those photos were not true.
No longer able to afford a cab, he tries to use the subway, but with a fare increase coming into effect just at the stroke of midnight, he no longer has enough money. He goes to a bar, but the owner does not have the keys to the cash register to help him, so he takes the keys to the apartment to get the keys to the cash register, but then things keep on happening .. which eventually ends with him being turned into a plaster of paris cast, which is then stolen and falls off at his place of work, and he is ready to start a fresh day. Interesting movie ..