In the early 1970′s, young director Martin Scorsese was still struggling to make his mark. At that time, just after the release of ‘Boxcar Bertha’, Scorsese had started displaying his talent, but it was the release of ‘Mean Streets’ in 1973 that moved the director much ahead in his career as a director. The movie, starring Harvey Keitel, Robert De Niro and David Proval, was made with the encouragement of directors such as John Cassavetes, Samuel Fuller, and Jean-Luc Godard, and was released by Warner Brothers. Based on his experience with Boxcar Bertha, Scorsese had learned how to make movies at low cost, and Mean Streets was also a low budget movie, costing only around $500,000. This was one of the first movies that Scorsese made after being told to make movies in the style he wanted rather than make movies for somebody else, and the movie established his signature style (macho men, lots of violence, emotions based on Catholic notions of guilt, and a soundtrack based on rock). The movie is set in a gritty location in New York, again like many of his other movies. Scorsese was originally planning to make the movie called as ‘Season of the Witch’, but he later changed this to ‘Mean Streets’, based on a line from author Raymond Chandler’s novel ‘The Simple Art of Murder’.

The movie was very close to Martin Scorsese, since this was based on events that he used to see everyday in the areas of New York in which he lived. The end result was a movie that earned critical acclaim, with movie critic Pauline Kael being very enthusiastic in support. The movie also earned De Niro an award (not an Oscar though) as Best Supporting Actor for his role as the destructive guy who increasingly heads towards destruction inspite of the efforts his friend Charlie. Charlie in turns plays the role of an Italian-American who is a wannabe mafia member, and who acts as a debt collector for his uncle Giovanni. He also has an ongoing affair with Teresa, who is Johnny Boy’s (De Niro) cousin.
The meat of the movie is about the conflict that Charlie faces, with his devout Catholic faith (with its concepts of good vs. bad, redemption, and guilt) versus his ambitions of making it big in the mafia (in direct conflict to his Catholic faith). How does Charlie resolve this dilemma ?

Agatha Cristie had started with her first book published in 1920 (The mysterious affair at Styles), and wrote a number of books during her career. 2 of her main characters were the detectives – Hercule Poirot and Miss Marple, but she also had novels that did not have these 2 characters. One of these was an early book of hers, called ‘The Secret Adversary’, published in 1922. The book introduces the character of Tommy and Tuppence who also features in other novels of hers. The book met with praise from critics on its release, and was later turned into a movie released in 1929, and also into a TV drama. One small problem was the book that there were a lot of cliched characters in the book, with many characters being obvious villains. The book was set in 1919 in London and other locations in Britain. It depicts a young couple Tommy Beresford and Prudence “Tuppence” Cowley, who offer themselves out as adventurers, since they have no money and no work. And there starts the adventure.

They soon find themselves stuck in a political and spying game, when they use the name of ‘Jane Finn’ for Tuppence; using this name Tuppence is rejected for a job (and they had over-heard this name in a conversation earlier); a person named Whittington hears scraps of their conversation and believes that they are blackmailing, and pays them some money for them to stop using their information (information that they do not possess). However, when they realize that they can get more information from Whittington, they find that he has vanished. Knowing that the name of ‘Jane Finn’ seems to be causing this search, they put an ad in the paper with the same name, and get a response from a Mr. Carter, who tells them the background to what Jane Finn actually was, and the significance of the name to intelligence agencies. They are contacted by more people, including police officials (and they realize that they had also been contacted by a villain earlier). The rest of the story is about contact with these secret agencies, with bolshevik agents out to topple the British government, and so on.

The late 60′s and early 70′s was the time when Martin Scrocese was making his initial movies, the time when he started to develop a reputation. It was a lesson for the young director, imparted by producer Roger Corman, who had helped other directors such as Coppola and James Cameron to also start their careers. Corman used to be able to guide directors to make movies that cost very little movies, and the same was true of this movie, Boxcar Bertha, which was made with a very low amount of 600,000 (a very low amount of money for a movie), and was a good lesson for Martin Scorcese. The movie is apparently based on a book called ‘Sister of the Road’, a biography of Bertha Thomson, who went onto to do train robbery at a time of the 1930′s (written by Dr. Ben L. Reitman). However, the movie and the book were certainly different in terms of the story; with the movie being made to capitalize on the ongoing craze for movies in the ‘Bonnie and Clyde’ style. The movie, being depicted in the American South of the 1930′s, you get a look at the prevalent issues related to the situation regarding racial differences, as well as issues related to gender.

The movie has as the main characters, Bertha Thompson (played by Barbara Hershey) and “Big” Bill Shelly (played by David Carradine). Bertha is a typical character of the depression era, an orphan, who was also a robber, being a typically charming woman, accompanied by 3 other members of her team, a union organizer (Bill), a con man from New York (Barry Primus) and a mechanic fond of the blues (Bernie Casey). Even though the movie is set in the 30′s, you get a feel for the early 70′s environment in the movie, with characters tending to adventurous, free spirited and criminal, but not more so than the tie-striped bankers and lawyers. The movie was worth watching because of the effort put in by Martin Scorsese, and these efforts are visible in the movie.

In 1920, a phenomenon showed up in the literary world, by the name of Agatha Christie. She soon became a prolific creator of detective novels, and created 2 incredible characters in the shape of Hercule Poirot (the egoistical Belgian detective) and Miss Marple (the elderly spinster). It was in this novel (written in 1916 and published in 1920), “The Mysterious Affair at Styles”, that Hercules Poirot was first introduced to the public, the start of what was to become a number of novels. The novel also introduced the other characters that seem to accompany Poirot in all his novels, in the shape of Inspector (later, Chief Inspector) Japp and Lieutenant Hastings (later, Captain), and the story is told by Hastings (who is on sick leave from the ongoing war). The book got good reviews and critical acclaim. Like many of her other novels, this one was also adopted as a TV drama and as a BBC radio adaption.

The novel was set in a typical Christie set, in an old manor, with many suspects, of whom many of them could have a motive for the murder. This novel was set in a manor at Essex. Mrs. Cavendish, a wealthy widow, had become wealthy after the death of her husband, with inhering an estate and also much wealth. She had recently remarried the younger Alfred Inglethorp, and she lived at Styles along with her step-children (the children of Mr. Cavendish from an earlier marriage), and in the event of her death, Styles would pass to Mr. John Cavendish, her eldest stepson. Lieutenant Hastings, is a guest over there when Mrs. Emily Inglethorp dies from strychnine poisoning; and Hastings calls his friend, Hercule Poirot. Alfred seems to be chief suspect, but was not present when Emily died. Most damning, he had to gain from his wife’s death, and had also purchased strychnine in the village earlier. But Poirot clears him, and then John is arrested. But who did the murder ?