Spaghetti westerns were all the craze starting with the ‘Man with No Name’ series, starring Clint Eastwood, and directed by Sergei Leone. More directors and stars got into the act, and soon, there were a number of such movies in the market. However by, the early 1970′s, the whole concept of spaghetti westerns were becoming a joke, and there were a number of movies made on the concept of creating a comedy western. There had been other comedy westerns made, such as the Trinity series (They Call Me Trinity and, Trinity Is STILL My Name!). Both of the Trinity movies also starred Terence Hill (making him the star of comedy westerns, while Henry Fonda was the star of serious westerns). The movie was mostly directed by Tonino Valerii, with Sergei Leone directing a few scenes, but since there was the involvement of Sergei, the movie came to be known as a Sergei Leone movie (something that Torino was not happy about). The music by Ennio Morricone was superb as usual.

However, ‘My Name Is Nobody’ is the story of a famous (and old) gunslinger Jack Beauregard (Henry Fonda); since he is famous, he is constantly hunted by the younger punks who want to challenge him, and if they win, they will be the next famous ones. Jack, after a lifetime of fighting, now just wants to hang up his boots, and is in Europe, hoping for some peace and quiet.
The movie starts out with 3 men challenging Jack, and they are dispatched in a barber’s shop; and there the name of the movie is born, since, when asked who can defeat Jack, the barber replies “Faster than him? Nobody!”
And Nobody is Terence Hill, who is a big fan of Jack, and wants to setup him against a finale sequence against the Wild Bunch, a bunch of bandits. Nobody keeps after Jack, finally managing to get him into the fight against the Wild Bunch. Job and fight done, Nobody thanks Jack by setting up a fake fight with Jack, which is apparently won by Nobody, letting Jack off in retirement on a boat to Europe.

Vanity Fair was a book published as a serial rather than in a single book form (this was done in 1847-1848, and was typical of that time, since Charles Dickens also published his classics in serialized form). Vanity Fear was written by William Makepeace Thackeray, and was based on the story of 2 different people in society – one who will do anything to get ahead in life, without morals; and the other, the exact opposite, one who believes in the goodness of life and is unwilling to believe that others could be dishonest. The title of the book, Vanity Fear, is taken from an earlier work, John Bunyan’s allegorical story The Pilgrim’s Progress, published long before in 1678, and supposed to represent a place called Vanity, where there is a ongoing fair that is meant to represent man’s attachment to worldly things, and supposed to represent the sin of man. The book was seen as a bitter satire of society, as showcased in the quest of one of the anti-hero (or anti-heroine, to be more accurate), who is cunning, and uses all her qualities to work her way up in life.

The story takes the life of 2 opposite people, who are close friends early in life. These 2 women are:
Becky Sharp – She is apparently (on the face of it) what an ideal woman would be. She is smart, intelligent, sings well, plays the piano well; unfortunately, this is accompanied with a sense of morals that are absent, and no conscience. She wants to achieve higher things in life, and will do whatever it takes for this to happen, including playing with people.
In direct contrast to her is the other main character of the story, Amelia Sedley, who is not so outwardly smart, trusting of people even when it has been pointed out to her that others are not always to be trusted, and in some cases, unable to really appreciate those who care for her. This is a property that prevents her from taking the best that life gives to her, including the love of a person who is devoted to her, but whom she could-shoulders throughout the book.
The story is about the complete lives of these 2, with Becky trying to marry up (but failing to win her way around those women who see through her, and who played a part in dis-entitling her husband when he married her. In this case, it is the rich and elderly aunt of her husband (Pitt Crawley), Miss Crawley, who used to favor her nephew till the time that he married Becky Sharp. Becky is unable to use her charms and guile to get her husband back into favor, and lives with her husband a life devoid of riches, where they manage to live by manipulating money all around her.
On the other hand, George Osborne was always engaged to Amelia, but faced huge pressure to back down when her family lost their money. He finally married her, but in the face of opposition from her family, and consequently lost his money. And there was Dobbins, a friend of George who always admired Amelia, and who made it clear after George died, but who Amelia always ignored. It is a fascinating book, about the rise and rise, and then fall, or more accurately, about the just rewards.

In the 60′s, and the early 70′s, Spaghetti Westerns, shot with young or ageing US leads along with Spanish / Italian stars, and using an Italian / Spanish cast caught on, and continued till the early 70′s, when people started getting tired of this line of films. Two of the people who were most closely associated with these types of movies were the director, Sergei Leone, and the young upcoming star, Clint Eastwood. Clint Eastwood came to be famous for a trilogy of movies called the “The Dollars Trilogy” or “The Man With No Name Trilogy” – primarily because Clint was not given a screen name in these movies, and this was in effect used as a promotion point for these movies. A Fistful of Dollars was the movie that started this trend, and was the first movie in the trilogy, with the others being For a Few Dollars More (1965) and The Good, the Bad and the Ugly (1966). Most of these movies were shot in Spain, in regions that resembled the dry, wasteland like region of the American Southwest. Another great highlight of the movie was the music by Ennio Morricone.

The Spaghetti Western culture had a touch of irony to it, since the original role was offered to Henry Fonda and Charles Bronson, but both of them refused, and a few others, after which Clint Eastwood was signed on. With the success of the genre, both of them starred in a later movie of his, Once Upon a Time in the West (1968).
A Fistful of Dollars is the story of a man arriving at a small town on the Mexican Border called San Miguel, and how he gets involved in the huge rivalry in the town between 2 families who want to establish their dominance in the town. These 2 families are;
- The Rojo brothers, Don Miguel, Esteban, and Ramón.
- The other family is that of the sheriff John Baxter (Wolfgang Lukschy)
The Man with No Name arrives in the town, and sees a chance to make some money (‘a fistful of dollars’) in this rivalry between them, but gets involved in a different way, by rescuing the captive of Ramon, Ramon’s mistress (Marisol).
The Rojos catch Clint Eastwood and torture him for this effrontery, but he manages to get free with the help of the coffin maker. In their search for him, the Rojos finally get up on the Baxters by burning down their home and killing them all. Now that they are the one strong family in the town, the stranger returns to a final fight, and finally kills them all, and then moves out before the authorities make their presence felt.

Isaac Asimov wrote a huge amount of science fiction over the years, and is known for many of his books such as the Empire Series, and most famously for the Foundation Series. The 3 main Foundation books were the ‘Foundation’, ‘Foundation and Empire’, and ‘Second Foundation’. It was later, in order to try and fill more details, that Asimov wrote more books for the Foundation, that include books that were both prequels and sequels. The last such book that he wrote was called ‘Forward the Foundation’, and was released in 1993, a year after Asimov died. Forward the Foundation was a sequel to ‘Prelude to Foundation’, carrying on with the story of Seldon’s search for how to develop the story of psycho-history.

In end of Prelude to the Foundation, Hari Seldon learns that Otto Demerzel, the powerful advisor to the Emperor ‘Cleon 1′ is actually a robot. He solicits Demerzel’s help for continuing the research into psychohistory, and Forward the Foundation continues into that effort, and is meant to show 4 different time stages in Seldon’s life. The novel starts 8 years from the end of Prelude to Foundation, as Seldon gets more involved in politics, helping Otto fight off attempts, and then moves a further 10 years down the line. Demerzel has vanished, and Seldon is now First Minister. However, after the assassination of Cleon 1, Seldon slowly starts losing his family members. His wife, Dors, is killed when trying to save him from an assassination attempt, his adopted son (the 12 year he met in Prelude to Foundation) dies elsewhere in another violent act, his assistant Yugo Amaryl dies of over-work, and it is left to Seldon and his grand-daughter Wanda to try and set a process in place to guide events when Seldon is no more. And so starts the story of 2 different Foundations, one of the physical base, and the other, a society of mentalics.