William Dalrymple is that sort of a writer you would love to read just because he has written it. For me, he will always be such a writer. Every book of his has been good than the other one. He surely writes a lot about Middle East and Indian Subcontinent. In “From The Holy Mountain: A Journey Among The Christians Of The Middle East”, he travels the Silk Route of ancient Byzantium through the present day Middle East retracing the AD 578 journey of John Moschos, a well known Byzantine monk, traveller and historian. All along the way he only sees a dying heritage in form of neglected monasteries, declining number of Christians and great sort of confusion among different religions in the region.

He begins his journey on Mt. Athos after seeing the older manuscript of ‘The Spiritual Meadow’ (the book by John Moschos), travels to Istanbul, eastern Turkey, Tur Abdin, then on to Syria, Lebanon, Israel and Egypt. Wherever he went, he retraces Moshos’ route, visits remains of his era and tries to stay in the same monasteries as Mochos has done centuries ago.

All the while he notices that early Christian presence in the area was very significant and it has been declining steadily ever since. It has been sometime due to political suppression or sometimes just due to better opportunities outside – but in nearly each instance it has taken its toll on the region’s culture and heritage. Some of the monasteries mentioned by Mochos are now extinct or destroyed either by time or governments. On the one hand, he notices the differences between Islam and Christianity getting wider and wider down the ages. On the other hand, he still find these religions intermingled together at some holy places praying together for miracles or babies.

Certainly worth a read for its rich description of the place, early times and understanding of current scenarios.

When one thinks of the Winter Olympics, one would think of countries that have a lot of mountains, snow and ice; with a lot of winter games. So you would think of European countries, the United States, Canada, and so on. Thinking of tropical countries or countries that are essentially sun and beach destinations are not ones that typically come to mind when you think of sports such as skiing, sledding, or bob-sledding. This movie thus is a major surprise to those who see it for the first time – it takes a team from Jamaica (a major tropical paradise), and takes their entry into the 1988 Winter Olympics in Calgary, Canada in the bob-sledding competition. But just an entry into the bob-sledding competition is not worthy of a movie, it is their amazing ambition, their panache, their dogged persistence and their almost pulling off a major surprise.

The movie is not fully accurate, there are some differences between what actually happened and the depiction on the screen; however, the movie is somewhat of a good representation of the events. The movie starred the late John Candy in the major role of Irving (“Irv”) Blitzer, a former American bobsled double gold medallist at the 1968 Winter Olympics who was disgraced after being disqualified in 1972, and who retired to Jamaica. The movie was distributed by Walt Disney Pictures, and went onto be a major commercial success; it cost around $14 million to make and went onto earn more than $150 million worldwide.
The movie seems to start at incredulity, when a Jamaican 100m sprinter Derice Bannock (Leon Robinson) failed to make it for the team for the Summer Olympics (due to a mistake by another contestant Junior Bevil (Rawle D. Lewis)), and approaches Irv for coaching to setup a Jamaican bobsledding team for the Winter Olympics. The first half of the movie is about this coaching regime for the first 3 months, including their initial failures and disappointment; however, they soon start to bond together as a team.
The second half of the movie is about the team in the Olympics; they face scorn and ridicule for their attempt. This is reinforced when they appear last in the first day trials in the actual Olympics. However, they appear fired up on the second day, and start surprising people with a much improved performance, ending up in eighth place. On the final day, they are like world champions, almost ending up with a record performance, however their borrowed sled falls apart a few meters from the finish. Unfazed, and with their spirits high, they carry their sled and walk across the finishing lines to the cheers of spectators.

There have been many movies that have been adapted from successful plays or musicals, less so in recent time; but much more in earlier times. One of the best adaptations of a stage musical was the creation of the movie, ‘My Fair Lady’, released in 1964. The movie was a great success, both commercially and critically. The movie and the stage musical are both based on the famous play, Pygmalion, by George Bernard Shaw. The movie also starred some famous names, such as Rex Harrison and Audrey Hepburn, and part of the success of the movie can be attributed to the presence of these 2 stars.
The movie was nominated for 12 Academy Awards, and won 8 of them, a pretty large number. In addition, it won the BAFTA Best Film. The movie picked up the 2 Oscar awards that defined the movies: Best Picture, and Best Direction. The awards that the movie got nominated for and won were:

Wins:

* Best Picture – Jack L. Warner
* Best Director – George Cukor
* Best Actor – Rex Harrison
* Best Cinematography – Harry Stradling
* Best Sound – George R. Groves, Warner Brothers Studio
* Best Music Score – Andre Previn
* Best Art Direction – Gene Allen, Cecil Beaton and George James Hopkins
* Best Costume Design – Cecil Beaton

Nominations:

* Best Adapted Screenplay – Alan Jay Lerner
* Best Film Editing – William Ziegler
* Best Supporting Actor – Stanley Holloway
* Best Supporting Actress – Gladys Cooper

The movie is seen as an all time great, one of the 100 best movies. The concept of the movie is interesting, about a person so confident of his linguistic abilities that he is willing to bet that he can turn any woman (of any upbringing) from the street into a proper refined lady who can deceive anybody.
And so, the arrogant Professor Henry Higgins (Rex Harrison) boasts that he can turn the young flower seller girl, Eliza Doolittle (Audrey Hepburn) on the street, the one with a strong accent that can be as un-aristocratic as you can believe; in fact, he is positive that he is willing to pay for the expenses of this transformation and has a bet with a new friend, Colonel Pickering (Wilfrid Hyde-White). And so starts the whole project. In fact, in the beginning, this whole effort seems to be headed for failure – the desired transformation is difficult, and Henry is a strict teacher. However, just when they all seem to be giving up, Henry lightens up and gives her a good explanation of the history of the English language, along with its beauty. This speech seems to have done the trick, and Eliza now seems to be able to speak with an upper class accent.
Eliza is now able to start acting the part, and she is able to make a good impression in the races at Ascot with a new sophisticated way, except for when she lapses back into a cockney accent. And then comes the decision time, Eliza appears at an embassy ball as a mysterious lady, of an obvious noble rank, and passes the bet even with the evaluation of an expert. However, now that the bet has been won, Higgins starts getting distanced from Eliza, being seemingly callous to her future prospects. She is not happy and walks out. He soon starts missing her, and tries to get her back; but his ego again comes in the way and she refuses. He reaches back home, seemingly initially unconcerned about her not coming back, but misses her and plays her phonograph records. And then, she comes back and things are now right.

Being a musical, the movie had some great music. Here are all the songs from the movie.

Act One

* Overture (conducted by Previn)
* Why Can’t The English? (Harrison)
* Wouldn’t It Be Loverly (Nixon)
* An Ordinary Man (Harrison)
* With A Little Bit of Luck (Holloway)
* Just You Wait (Hepburn/Nixon)
* Servants Chorus
* The Rain in Spain (Hepburn/Nixon and Harrison)
* I Could Have Danced All Night (Hepburn/Nixon)
* Ascot Gavotte
* Ascot Gavotte [reprise]
* On the Street Where You Live (Shirley)
* Intermission

Act Two

* Transylvanian March
* Embassy Waltz
* You Did It (Hyde-White and Harrison)
* Just You Wait [reprise] (Hepburn)
* On The Street Where You Live (Shirley)
* Show Me (Shirley and Nixon)
* Get Me to The Church on Time (Holloway)
* A Hymn to Him (Harrison and Hyde-White)
* Without You (Hepburn/Nixon)
* I’ve Grown Accustomed to Her Face (Harrison)
* Finale
* Exit Music

‘The Sound of Music’ is an award winning musical film released in 1965. The film was based on a successful Broadway musical by the same name, and the movie itself was one of the most successful music themed movies ever made. In fact, the movie, made at an approx budget of $ 8 million, made over $155 million at that time (and if this figure is inflated adjusted for the current, the movie made $ 1 billion at current prices, making this one of the most successful movies of all times). At the Oscars too, the movie was extremely successful, earning a total of 10 nominations, and willing 5 of them, including the treasured ones of Best Picture and Best Director.
The movie is very famous for the songs, and is actually known as a Rodgers and Hammerstein movie (so named due to the 2 song writers & musicians – Richard Rodgers and Oscar Hammerstein II (who died before the movie version was started)). The movie, although a musical, is based in Austria in very serious times, at a time when the Nazis were becoming more and more powerful, and is about the eventual escape of a family from the clutches of the Nazis.

The Academy awards for which ‘The Sound of Music’ was nominated were:

Wins

* Best Picture
* Best Director (Robert Wise)
* Sound
* Best Adapted Score
* Film Editing

Nominations

* Best Actress (Julie Andrews)
* Best Supporting Actress (Peggy Wood)
* Best Cinematography
* Best Art Direction
* Best Costume Design

The movie was essentially based on the Von Trapp family, headed by a widower naval commander, Captain von Trapp (Christopher Plummer), and his seven cute children Liesl (16), Friedrich (14), Louisa (13), Kurt (11), Brigitta (10), Marta (7), and Gretl (5). In the midst of this comes Maria (Julie Andrews), studying to be a nun; she is sent to be the governess of these children. After some initial confrontation with the children and their father, she wins them over with the power and fun of her music and song (and these songs are the ones to watch).
The Captain warms to her when he sees the children getting closer to her, and Julie in turn finds herself falling for the Captain, but he is engaged to the wealthy baroness, Elba. Elba realizes the Captain is getting close to Julie, and sends her back to the convent. However, the Captain soon makes it clear that things will not work with the Baroness, and when Maria gets back to the house, they wed.
However, politically things are not turning out right. The Nazis take over power in Austria, and want Captain von Trapp to serve in the military. He however is not willing to serve, and buys time by taking part in a concert, from the entire family escape over the hills to Switzerland.

Songs from the movie:

* “Prelude and The Sound of Music”
* “Overture” (Main Titles, consisting of “The Sound of Music”, “Do-Re-Mi”, “My Favorite Things”, “Something Good” and “Climb Ev’ry Mountain”) seguéin= into the Preludium
* “Preludium: Dixit Dominus”, “Morning Hymn” (Rex admirabilis and Alleluia, based on traditional songs)
* “Maria”
* “I Have Confidence” (lyrics and music by Rodgers)
* “Sixteen Going On Seventeen”
* “My Favorite Things”
* “Salzburg Montage” (instrumental underscore based on “My Favorite Things”
* “Do-Re-Mi”
* “The Sound of Music” (reprise)
* “The Lonely Goatherd”
* “Edelweiss”
* “The Grand Waltz” (instrumental underscore, based on “My Favorite Things”)
* “Ländler” (instrumental based on “The Lonely Goatherd”)
* “So Long, Farewell”
* “Processional Waltz” (instrumental underscore)
* “Goodbye Maria/How Can Love Survive Waltz” (instrumental underscore, incorporating “Edelweiss” and the deleted song “How Can Love Survive?”)
* “Edelweiss Waltz” (instrumental, Act 1 Finale, based on “Edelweiss”)
* “Entr’acte” (instrumental, consisting of “I Have Confidence”, “So Long, Farewell”, “Do-Re-Mi”, “Something Good” and “The Sound of Music”)
* “Climb Ev’ry Mountain”
* “My Favorite Things” (reprise)
* “Something Good” (lyrics and music by Rodgers)
* “Processional” (instrumental) and “Maria”
* “Sixteen Going On Seventeen” (reprise)
* “Do-Re-Mi” (Salzburg Folk Festival reprise)
* “Edelweiss” (Salzburg Folk Festival reprise)
* “So Long, Farewell” (Salzburg Folk Festival reprise)
* “Climb Ev’ry Mountain” (reprise)
* “End Titles”