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Harold Robins is one of the prolific writers of the 21st century. Born Harold Rubin, his parents were Russian and Polish immigrants. After dabbling in sugar futures he took up a job in Universal pictures which propelled his interest towards writing. Thus came out “Never love a Stranger” which courted a controversy for its graphic sexual content. Soon Robbins would become a prolific writer churning out innumerable best sellers. He had this knack of mixing up a thriller with sex and historical anecdotes to create a taut mystery. The worlds favorite author, Harold Robins would publish over 20 books which were translated into 32 languages and estimated to be selling over 750 million copies. Many of his books were made into successful movies, the very first being “A stone For Danny Fisher” which was adapted as “King Creole” starring Elvis Presley. The stories were also made in to mini series and were part of documentaries. Robbins also lived a jet setting life style with cars, wine and women at his disposal. His decadent life style along with those of the high and mighty of Hollywood is often mirrored in his books. Robbins was one of the authors honored with a star on the Hollywood walk of frame. This prolific writer died of a cardiac arrest at the age of 81 in Palm Springs, California.
Harold Robins chronicles the jet set life style of New York where all morals and values pales before the altar of your bank account. In the big apple your status is determined not by your family, love or position, it takes in to account the the bank balance and the power of plastic. Into this big bad world enters Brad with stars in his eyes to make it big. He has his pretty wife Marge to set house for him and to love and cherish. As he climbs diligently up the corporate ladder, his efforts are noticed by the Steel Tycoon Matt Brady.
Brady recruits him aggressively dangling dollops of carrots in terms of money, women and all luxuries. Brad, soon under the pay roll of the millionaire, falls in to the decadent life style. He meets the sexy seductress Elaine and embarks on a steamy affair which would make even Lady Chatterley blush. Robbins goes over board with his steamy revelations and graphic sex scenes.
Brad soon develops a conscience, as he gets to know Brady and this anomaly is a surprise development. As Brad quits, Brady becomes a jealous ex-employer who is all set to ruin him. Soon his business and along with it his mistress also departs with only handful of friends left to console him. So Brad returns to his wife, turns a new leaf to live again.
Never Leave me delivers nothing in terms of a story, climax or emotions. It is just a collection of graphically detailed sex orgies totally aimed at a hormonal teenage readership. There is no mature content and many surprise developments actually makes one wonder about the tautness of the plot. In-fact this is one of Robbin’s last book with his publisher Knoft who let him go inspite of his zooming popularity. It is another tale that Robbins made a killing with Simon & Schuster, but it was his banal sex descriptions which disgusted Knof. So Never Leave me can never be said a literary benchmark on which you should base your reading habits.
The Cobweb is a movie which takes place in a mental asylum and the surprising million dollar question plaguing the doctors and the inmates is around the selection of the curtains / drapes. So the entire movie revolves around the drapes and affairs of heart of people concerned with the drapes. The movie is directed by Vincente Minnelli and is based on a novel by William Gibson, and stars Richard Widmark, Gloria Grahame, Lillian Gish and Lauren Bacall.
At the opening of the movie “the trouble begins” with Steve McIver taking charge of a mental rehabilitation hospital from Dr. Douglas Deneval. Steve, young and dynamic, in his youthful exhuberance brings about new ideas to improve the lot of the patients and other inmates. His sympathies are concentrated on Steven Holt, a suicidal artist and one pathological Mr. Cabb. As Steve becomes busier in the hospital, he begins to neglect his wife Karen, cosying up to Meg Rinehart.
Now that’s what you call adjusting to local. As the movie proceeds, Steve hits upon the idea of using Steven’s artistic abilities to drape the windows. But Karen already has taken the responsibility on herself to supply the curtains. And also another employee Victoria Inch who can be the female version of Scrooge McDuck orders unattractive drapes for the windows. At this point one almost start noticing the drapes of one’s window and feels ashamed for the fact that not much effort has gone in to selecting them.
As the drape drama unfolds, the audience finds the supporting cast leading lives of their own, on the screen. Dr. Douglas Deneval is deeply in debt, drinks and has a side affair with his secretary. Even suicidal Steve finds love with another inmate. Now the only person unattached is Vicky Inch who is so angry about the whole drape drama that she threatens to expose Deneval and McIver in the next board meeting. Soon the whole plot is complicated by the arrival of Mrs. Deneval and by now the audience has a tough time keeping pace with the people flitting around the psychotic facility.
The climax has Karen taking the lead to install the new drapes subverting Steve’s effort. Steven, mentally disturbed, becomes totally unhinged when his drapes are not put on the window. He does a bunk and a good ten minutes are spent on searching him. Steve finally arrives and in a cathartic revelation forgets about the infernal curtains. Everybody comes on board, and Vicky Inch agrees not to disclose the affairs and other going ons at the instition. The McIver’s and Deneval’s forget their misunderstandings and work on their marriage and forget their mistresses. Soon all is well with one question hanging around “whose drapes make it”?
One of the most confusing movies I have ever seen, The Cobweb is a crazy, bizarre mix of weird and the incongruent. This one psychiatric facility has not much difference between the doctor and the patients. Everybody moves around madly falling in and falling out of the frames. The director just does not have any clue about the story and just makes the men and women pop out of the curtains and windows.
Harold Robins is one of the prolific writers of the 21st century. Born Harold Rubin, his parents were Russian and Polish immigrants. After dabbling in sugar futures he took up a job in Universal pictures which propelled his interest towards writing. Thus came out “Never love a Stranger” which courted a controversy for its graphic sexual content. Soon Robbins would become a prolific writer churning out innumerable best sellers. He had this knack of mixing up a thriller with sex and historical anecdotes to create a taut mystery. The worlds favorite author, Harold Robins would publish over 20 books which are translated into 32 languages and estimated to be selling over 750 million copies. Many of his books were made in to successful movies, the very first being “A stone For Danny Fisher” which was adapted as “King Creole” starring Elvis Presley. The stories were also made in to mini series and were part of documentaries. Robbins also lived a jet setting life style with cars, wine and women at his disposal. His decadent life style along with those of the high and mighty of Hollywood is often mirrored in his books. Robbins was one of the authors honored with a star on the Hollywood walk of frame. This prolific writer died of a cardiac arrest at the age of 81 in Palm Springs, California.
A Stone For Danny Fisher is the most accomplished book from the the Harold Robins stable. Many may not consider the Robins books as literary masterpieces, but the saga of the young boxer from the Brooklyn slums comes close to it. Even the critics consider this book as one of the best read stories of the time.
Through the pages one can glimpse the trials and tribulations of a Jewish Boy, Danny Fisher, living in post war America. Danny lives through the hate, race violence and the occasional skirmish, to become the lead boxer of the school. His relations with his father suffers progressively and the money issues compound it. Sam Goetlib his coach is the closest to a benefactor Danny has and he even pays the money for his coaching.
As Danny climbs the rungs of the boxing ladder, his bouts actually earn him the money and worse he gets offered absurd amounts to fix his matches. He holds on to his games till the time his father actually implores him to bail him out of bankruptcy. Danny pockets the five thousand dollars and tries hard to throw the match which he ends up winning. Thus on the run and disgraced, he returns to the fringes of the society. Shunned by all he loves he embraces brutality, first passively looking on, and later embracing it. With this new found brotherhood of pugnaciousness he gets the money, maidens and all his heart desires. But soon the castle of cards crumbles, and Danny is left naked to the harsh glares of life. His true friends, his childhood sweetheart and erstwhile coach bail him out and his son. This help Danny to start a new life.
A stone for Danny Fisher does pull your heart strings and unlike other Harold Robbins books, there is no graphic content to take you away from the story. This book was made in to a movie, King Creole starring Elvis Presley. This book is a great way to steal away some time for yourself.
Women’s World is a drama from the 1950′s post war America where the “Wife” played the perfect hostess for furthering the husbands career. This film stars, Lauren Bacall, Clifton Webb, June Allyson, Arlene Dahl and Fred McCuray. The plot has Ernest Gifford, the eccentric owner of Gifford industries trying to pick up the most suitable candidate for the post of General Manager. Since he believes that behind every successful man, there is a entertaining hostess and support, he wants to evaluate all the potential candidates with their spouses. So he invites the men along with their wives to his vacation cottage. He also has the help of his socialite sister Evelyn, to assess the wives.
The first couple, Bill and Katie Baxter are young parents, very much in love. Katie is a homebody, cherished and very devoted to her hubby and hearth. She is a klutz, very ignorant of the social graces and with a very outdated wardrobe. Katie secretly hopes her husband is overlooked so that her family life is not disrupted. But Bill loves the thought of a promotion and sincerely hopes to make the cut.
The second couple are the not so young Elizabeth and Sidney Burns who are happily married but squabbling for attention. Liz believes that Sid being so busy would work himself to death and ruin their marriage. She asks him to give his family the first preference to his career. But Sid hopes the sophisticated and accomplished Liz would land him the job.
Carol and Jerry Talbot are the upwardly mobile couple who for all appearances are happily married. Carol being the sexy ambitious one prods Jerry shamelessly to do anything to get this promotion. Jerry is less willing and wishes to get the job for his own merit. So the wives prepare their own private hell to help their husbands. The innocent Katie and the lady like Liz hit it off and Liz even finds a wardrobe to match Katie’s budget. Carol tries all trick of the trade to get Gifford’s attention and this actually makes Bill and Sid see red. They try to reason with Katie and Liz who are disappointed but pitch in reluctantly to support their husbands. Amidst all the drama Carol makes a brazen effort in seducing Gifford which shames Jerry. Jerry sees her for what she is, a social hussy and asks her to leave. On the ultimate night Jerry is alone and informs Gifford about his break up. Gifford congratulates him for his good sense and awards him the promotion. The other husbands realize that their family means more to them and applaud Gifford’s choice.
This movie was one of the most well received movies of 1954. It revolves around the values of post war America where the upwardly mobile middle class were part of the well oiled societal set up. Women were the gracious hostesses who supported their husbands careers. Sexy, ambitious women like Carol were disliked and not rewarded. It might look a bit sexist now, but it is true that it was the era of damsels and gentlemen. You had either Lady Liz or goody Katy to keep your job. But one has to remember that it is the 50′s where women had not joined the work force in droves and feminism had not made its mark.
Lauren Bacall plays the role of the sophisticated Liz to perfection and June Allyson is great as the simple Katie Baxter. Arlene Dahl, smoulders as the sexy Carol and the men play the supporting roles to perfection. And to top it all these women had great clothes, its the icing on the cake. In-spite of some hiccups this is really an entertaining fun movie.
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